On-the-spot trace, the blood is printed with cow and tiger hoof prints.

　　At about 15: 00 on the 15th, the reporter came to the scene of the dead cow of Zu Bingli’s house, and found a large pool of blood with chaotic hoofprint on it in the rice field 200 meters away from the cow’s carcass. It seems that this place should be the scene where tigers hunt cattle, which is only 300 meters away from the highway.

　　Zu Bingli is really scared to think of it now, because the night when he looked for the cow with a flashlight was the time when the tiger attacked the cow. It is estimated that his family’s cattle are worth 10,000 yuan, Park Cheng-han’s cattle are also worth 7,000 yuan, plus Ning Geometry’s, at least worth 20,000 yuan.

　　Mastiff bloody battle "Northeast Tiger"?

　　Just when people were talking about the tiger’s color change, news about the tiger came from Hunchun, and two dogs guarding toad ditch joined hands to fight the "Northeast Tiger".

　　On the morning of December 13th, the reporter came to a shack guarding toad ditch at the mouth of Danangougou, Hulubie, Taoyuandong Village, Hadamen Township, Hunchun City. According to the staff of Hunchun Nature Reserve Administration, the geographical location was measured by instruments as 130 degrees 44 minutes 58 seconds east longitude, 42 degrees 55 minutes 8.9 seconds north latitude and 129 meters above sea level. According to Ji Kun, a 60-year-old housekeeper who witnessed the scene of two dogs fighting with the Northeast Tiger, at about 23 o’clock on the 10th, he suddenly heard the dog outside the shack growling horribly. When he opened the door, he saw the yellow dog and a yellow animal rolling into a ball in the west ditch.

　　At this point, the "big black" tied to the south of the yard broke free from the iron chain and ran to the ditch to "participate in the war." Ji Kun picked up the lunch box and knocked on it with a wooden stick, then took out the miner’s lamp and shone it into the ditch, trying to blow the tiger away. However, no matter how he knocked and shook the lamp, the fight between the two dogs and the tiger in the ditch was still going on. Ji Kun wanted to take out his pick and join the war, but he was afraid that the tiger would hurt himself, so he had to wait in the house.

　　After about 20 minutes, the biting stopped, but he still didn’t dare to go out. At dawn the next day, Ji Kun immediately came out to check the situation of the two dogs. He thought that the two dogs were dead or taken away by the tiger, but he saw in the yard that the yellow dog’s left paw was bitten off, with only a little skin, and "Big Black" was bitten and bleeding. Two dogs were injured and sent to Hunchun for treatment.

　　The yellow dog wound was bitten by a Siberian tiger?

　　According to Huang Lin, the owner of toad ditch, these two dogs were selected from more than 30 dogs he raised in the ravine, both of which weighed 65 kilograms. Among them, "Dahei" is a hybrid of Class A dogs. When the reporter saw two "Warriors Fighting Tiger", he found that the yellow dog’s paw was indeed broken, and the veterinarian gave it anti-inflammatory. The injury of "Dahei" was not serious, but it was very fierce when he met a stranger. Gao Dabin, the stationmaster of Madida Protection Station in Hunchun Nature Reserve, looked at the wound of the yellow dog and thought it was bitten by the Northeast Tiger.

　　However, some experts pointed out that even the Tibetan mastiff is no match for the Northeast Tiger, so it is still a mystery what the animals fighting with the two dogs are. (Reporter Xin Meiwen/photo)

Editor: Wang Yuxi

Deadpool and Wolverine, which was released last weekend, won the championship for US$ 18.3 million in the fifth week, and Alien: Desperate Ship was runner-up for US$ 16.2 million in the next week.

"Deadpool and Wolverine" is still very strong in North America, and it can regain the championship in the fifth week. North America ranks 16th in film history with a cumulative US$ 577 million, and globally ranks 27th in film history with a cumulative US$ 1.211 billion, continuously refreshing the box office record of R-rated movies.

The global box office of Deadpool and Wolverine exceeded $1.2 billion. As of this past weekend, the total box office of the film accumulated $1.211 billion, including 577.2 million in North America and 634.1 million outside North America (including 423 million yuan in China). According to media reports, the production cost was $200 million.

After the second weekend of the release of Alien: Desperate Ship, the cumulative box office in North America was roughly reported as 72.64 million US dollars (16.2 million US dollars at the weekend), and the box office in China was 523 million yuan, which was slightly higher than that in North America and became the largest ticket warehouse in the world. The film’s global box office was estimated at $225.4 million by the end of the weekend, and the production cost was $80 million according to media reports.

Alien: Desperate Ship is the top ten box office in the global market: US$ 73.3 million in China, US$ 72.64 million in North America, US$ 10.7 million in Britain, US$ 9.7 million in Korea, US$ 7 million in France, US$ 5.6 million in Mexico, US$ 4.7 million in Spain, US$ 4.2 million in Australia, US$ 3.8 million in Germany and US$ 2.4 million in Hong Kong, China.

The love movie "Love, That’s It" starring Blake, a cheap wife, was a great success. In the third week of its release, North America ranked third with US$ 11.85 million, with a total of US$ 120 million in North America and US$ 242 million in the world, surpassing the global cumulative box office of "I just want to love you" starring Sydney sister last year.

Among several new films, The Blink for Help, written and directed by "Catwoman" zoe kravitz, performed the best. This thriller was ranked fourth with 7.32 million US dollars, and CinemaScore scored B+. The film tells the story of a beautiful waitress who followed a rich man to a private island, thinking that she could get some benefits, but she found that this place was very wrong.

The religious film "Cradle" ranked fifth with a drawing cost of 6.6 million US dollars, and CinemaSore scored as high as A+.

Bill Skarsgard’s re-released version of The Raven ranked eighth in the first weekend with only $4.6 million, while CinemaScore only got $3.8 million outside North America, with a global opening of $8.4 million and a film investment of $50 million.

Tornado has accumulated 248 million dollars in North America and 347 million dollars in the world.

"Daddy Thief 4" has accumulated 348 million dollars in North America and 885 million dollars in the world.

"Brain Agents 2" has accumulated 646 million US dollars in North America and 1.649 billion US dollars in the world, only 14 million US dollars away from the real lion version of "The Lion King" with 1.663 billion US dollars. Due to the strong performance of the film in the Japanese market, it will eventually overcome this hurdle.

This week’s new film

Reagan Biography ShowBiz Direct released

Director: sean mcnamara

Starring: Dennis Quaid

Plot: From dusty town to brilliant Hollywood, and then to leading the world stage, Reagan is a film journey to overcome difficulties. The film follows the voice of Victor petrovich, a former KGB agent, and shows his indomitable spirit of American dream.

The story of "La Riot 1992" was released.

Director: ariel vromen

Starring: tyrese gibson

Plot: During the chaos in Los Angeles in 1992, a shopkeeper had to save his son from an angry mob.

After turning on the console of the power station, the battery of the pure electric taxi is removed like "laying eggs". Then, a fully charged battery "walked" out of the "full-function warehouse" on the other side and was installed step by step. In just one minute, the car was full of energy again.

Three days before the May Day holiday, cars came and went in Tienan Power Station of Xinhang Taxi Management Co., Ltd., the first state-owned taxi company in Yanji. With the sharp increase of tourists, the taxi operation in counties and cities in the state has become more and more busy, and the average daily business volume in the power station has reached nearly 300, about 50 times more than usual.

At 13: 00 every day from May 1 to 3, the "busy" mode will be started when the power station is changed. All counties and cities in the state came to Yanji City for new energy pure electric taxis, and one by one queued in order to change electricity. After the number plate recognition, the terminal billing system will calculate the amount to be paid and other information according to the consumed power of the battery. After the driver scans the code to pay the bill, he drives the car to the operation desk, and the automatic power exchange system will extend the operation panel to the bottom of the car, and first take away the battery with a weight of 350kg. Then, take out a fully charged battery from the "full-function warehouse" and send it to the bottom of the car and push it up to complete the installation. The whole loading and unloading process takes only one minute at a time. The system will analyze the removed battery and record the power.

According to Liu Hongqiang, the person in charge of Tienan Power Station, there are currently 33 batteries in the "full-function warehouse". It takes an average of 80 minutes for each battery to be fully charged, and the price per kilometer is 0.3 yuan. "We are on duty 24 hours a day. During the’ May Day’ period, the staff were busier than before. In addition to the pure electric taxis in Yanji, there were taxis between counties and cities that needed to be changed. I hope that through our persistence, we will fully guarantee the operational capability of pure electric taxis. "(Cheng Dan)

In 2020, an article on the well-known online platform "Zhihu" was entitled "What kind of experience is it that the doctor hasn’t published Paper in the sixth year?" The post triggered a heated discussion among many young scholars who were reading blogs, and was viewed more than 2.6 million times.

In this post, Shao Shuai, a young scholar who was studying PhD at the University of Wisconsin-Madison at that time, wrote a ten thousand-word post through his personal account, telling that he had not sent an article during his five-year PhD, and even received 13 rejection letters.

The The Paper reporter noted that in May this year, Shao Shuai, who returned from her studies, updated this message, which aroused widespread concern: "I have recently returned to my alma mater, China University of Science and Technology, and now I am interested in enrolling master’s and doctoral students, as well as undergraduate students’ innovation and summer research programs. Welcome students from mathematics, physics, computer and other related professional backgrounds who are interested in theoretical computer science, especially computational complexity theory, and its cross direction with statistical physics, quantum theory and other related fields to contact me. "

Shao Shuai also attached his personal homepage in official website, China University of Science and Technology to his message. According to the introduction of China University of Science and Technology, Shao Shuai is currently a special professor and doctoral supervisor of Computer College of China University of Science and Technology.

Shao Shuai graduated from Hua Luogeng Class of China University of Science and Technology Junior College with a bachelor’s degree in 2014, and graduated from Computer Department of University of Wisconsin-Madison with a doctor’s degree in 2020. During his study, he also obtained a master’s degree in mathematics and a master’s degree in computer science. After that, he worked as a postdoctoral fellow at Oxford University and Edinburgh University respectively, and was also selected as a junior researcher at Wolfson College during his work at Oxford.

Shao Shuai’s main research field is theoretical computer science, and it also involves its cross direction with statistical physics and quantum theory. In recent years, Shao Shuai has made some research achievements in the complexity classification of accurate counting, approximate counting algorithm and phase transition phenomenon, and the equivalence classification of quantum entangled states, and has published many papers in authoritative journals and top international conferences.

Go back to Shao Shuai’s ten thousand-word message post two years ago. At that time, he wrote: "I think the most important experience in many answers is anxiety. Anxiety can’t graduate without articles, anxiety has to be postponed, and anxiety can’t find a job. I sometimes feel anxious, but rarely, for me, the biggest experience is’ not recognized’ and’ self-denial’. "

Shao Shuai thinks: "We all want something in return, which may be material or spiritual, but in any case, it is a kind of recognition for what we have done, just like when you answer a question in Zhihu, you will be eager for others’ approval. The same is true for doctoral students. It is not easy for a person to spend several years on a problem and study it repeatedly. We hope that this kind of hard work can be recognized, so as to realize our personal value. But if your work has never been generally recognized and accepted by the academic community in these years, the process of reading a blog will be particularly difficult. "

In the main body of the article, Shao Shuai recorded in detail the detailed process and mentality of his 13 rejected manuscripts. Like most young people who read PhD, Shao Shuai once doubted the significance of his contribution work.

He wrote: "That night, I struggled until midnight, but I still couldn’t change it. Since the first submission of this article, I have revised it again and again according to the opinions of the judges, and even many times the opinions of the judges are conflicting. I changed it this time and changed it again next time, not to mention carefully adjusting the line spacing and margins in order not to exceed 10 pages each time."

"In the constant rejection, time came to the fourth year of my phd. During this period, I was stuck in the most important problem I did for a long time, and I had no motivation and enthusiasm to do it. This kind of frustration does not come from the scientific research itself. In fact, I have never felt any frustration because the scientific research process itself is not smooth. re-search, repeated attempts, this kind of trial and error itself is also a part of scientific research that makes people happy and fascinated … In the process of being constantly rejected, my enthusiasm for scientific research is also being worn away little by little. "

"During this period, I will keep revising my rejected articles over and over again and re-vote. I put a lot of chocolates in the drawer of my office. Only by eating a lot of chocolates can I secrete a little dopamine and force myself to change the article and write proof. I used to watch some American dramas, and I felt that the people in them seemed to smoke, drink and take drugs as soon as they were decadent and sinking. As for it? Later, I felt that it may be really a bit of torture, and it can only be alleviated by external stimuli. Fortunately, I only love sweetness and have no other bad hobbies. "

Shao Shuai’s own photos of sweets. Zhihu diagram

"Sometimes I can’t help but recall the college life in those days, and recall that a group of high-spirited teenagers in those days, but when I look back, I find that we have gone so far. The road to the future has become gradually blurred. Most of the friends who used to travel together have gone to a new stage of life, while some friends unfortunately did not survive and left us forever. Sometimes you suddenly find that it seems that only you are still walking alone on this road, and you can’t turn back, and you can’t see the future direction. Even if you are firm, you can’t help but start to doubt. Do you want to go all the way to black? "

Fortunately, Shao Shuai’s persistence finally paid off. At the end of the article, Shao Shuai said: "I wrote my story in the hope of comforting everyone, comforting myself and encouraging everyone. Finally, I want to say that I am still trying to persist. Maybe I can find many objective reasons to explain why I am still so dead. For example, I am lazy and too lazy to try new things, which is why I depend on it. For example, I don’t have the pressure of the other half, so I don’t have to consider starting a family, or I am not particularly old, and it will not be a big problem to spend another two years. "

"But in fact, I know that there is only one reason that really keeps me going: I still like scientific research, and despite being rejected again and again, pure scientific research itself can bring me happiness. When I solve a problem and write a complete proof, even if some people find it boring, I can still revel in it. Reading a proof is like enjoying a piece of music and a painting, which is a kind of enjoyment of beauty. If there is any other reason, I should still be dissatisfied in my heart. I feel that I am not bad. "

Shao Shuai finally wrote: "When I wrote this answer before, I didn’t have an article after five years of doctoral study. In the following six months, my luck almost changed, and all five articles during my doctoral period were sent out, including winning FOCS/SODA, and I also graduated from my doctorate and found a post-doctoral job in Oxford. Of course, the happiest thing about this is that the first job that I was most concerned about and hit me hardest was finally accepted, and it was in the early morning of the day of my doctoral defense, which was almost the happiest moment in my whole doctoral career, although it may have come a little late. "

Shao Shuai’s personal homepage and his published achievements in the past two years. China University of Science and Technology official website Map

The Paper reporter noticed that his research achievements in recent years were listed on the personal homepage of official website Shao Shuai of China University of Science and Technology. As he wrote in the above article, it was all published after the message he wrote in 2020.

　

1905 movie network news Love is beautiful, please don’t give up! On June 14th, directed by director Wei Desheng, the newly-born half-blood goddess Sandrine Pinna and the rock male god Fan Yichen specially starred, and romantic movies starring Xiao Qiu, Xiaoyu, Suming and Mi Fei held the premiere conference of "Love in Every Corner" and a campus movie-watching activity in Guangzhou, and released a preview of "Love in this Summer" and a special "Peace of Mind Monologue" at the same time today. Wei Desheng, the director, took a group of creative artists to the premiere ceremony, interacted with the audience warmly, and broadcast several warm and explosive special films on the spot, which set off a romantic breeze.

"52 Hz, I Love You" tells the lonely but wonderful love story of every ordinary person in the city. Surprisingly, the film has started a large-scale screening mode in Beijing and Shanghai since June 12. With its solid and sophisticated production level and novel story types, the film has won a large number of audiences, including ordinary audiences, media and film critics in the industry, and its word-of-mouth value has been rising continuously. Many viewers said that the viewing process was very comfortable and they wanted to fall in love after reading it. In the previous campus roadshow, I also received praises such as "the most beautiful music movie", "bursting with happiness" and "the most romantic love story in Taiwan Province". Some fans even stressed that you must give yourself a bunch of roses after watching the movie whether you are single or in love.

Wei Desheng: Everyone has the right to pursue love.

Only a flower with thorns has so many people love it. As a romantic love movie, this time, Wei Dao came to Guangzhou for the premiere with a group of creative directors, which just echoed the theme of flowers and love in the film. As a person who loves "flowers", Wei Desheng also described his love view of "roses" on the spot: "Love, like roses, is not only beautiful, but also has a taste of beauty with thorns. And this movie of mine is about such love that needs careful care. " At the event site, I mentioned the biggest difference between "52 Hz, I Love You" and previous works. Wei Desheng explained at the scene: "The previous works, like a sense of visual satiety, will leave an era or memory in my heart after reading them, but the atmosphere and emotions shown in this film are a kind of romance and satisfaction with sweetness and bitterness." Music+love movies are not uncommon. As shown earlier, when asked about the similar themes and types of the two movies, Wei Desheng said, "52 Hz, I Love You is a love musical with Taiwan Province’s ideal, while la la land is a real love story in Hollywood. Although it is the same for love, it is a different interpretation". When choosing "bread and love" in the film,Wei Desheng explained his thoughts on the spot: "In fact, 30 years old is the most contradictory age for falling in love. Unlike people in their twenties, love is everything. They dare not go out and find the other half before finding a balance point." In the film, Xiao Qiu and Xiao Yu, just like him who was not in love in his twenties, yearned for love unexpectedly, while Mi Fei and Suming were more like his realistic reaction to artists: every romantic dream catcher who was too optimistic had a girl who cleaned up his mess behind his back.

52 Hz is called the loneliest sound in the world, and this sound echoes in the mind of every single person, regardless of gender or age. It is reported that "52 Hz, I Love You", as a healing love movie, not only tells the love of ordinary men and women. In the movie, the older men and women who are no longer young and the same-sex people who are not recognized have all received the blessing of love. At the cinema, when asked about the theme of "same sex" in the movie, Wei Desheng said: "Same-sex love is also a lonely group. They should not be ignored by the society. In the movie, we present it in a warm and happy way." As the film said, we are not expecting to be recognized, but to be blessed. Such a sincere answer attracted applause from the scene.

"Love in this Summer" Edition Forecasts Warm Hearts and Releases the Sweetest Power in Summer to Cure Tired Hearts and Hurts.

This summer, full of love! "Every year on this day, I have to watch all the couples love and cuddle in front of me!" "It’s too difficult to turn the missing you can’t get into a blessing". In the preview of "Love is in this summer", the leftover woman is careful, and the pastry chef Xiao An suffers from a critical blow on Valentine’s Day, and Suming’s proposal on Valentine’s Day is broken up, but love always has the sweetest power to cure everything. "Happy Valentine’s Day to you!" In the trailer, Caution, Xiao ‘an, Dahe, Lei Lei, Kiki and Meimei sang happiness with songs, healed their hearts with blessings, filled with sweetness, full of love and happiness everywhere, igniting the most romantic summer.

As the last stop of the film "52 Hz, I Love You", after the Guangzhou premiere, director Wei Desheng and a group of leading actors brought the sweet and romantic love story to South China University of Technology and Taikoocang Cinema to have a close interaction with the audience. At the event site, the film charmed a large audience with its lively and sweet melody and love story, and during the film screening, the audience spontaneously applauded several times, which was "the most romantic love film in Taiwan Province film history!" "Fresh and simple, the story is moving, and every song is easy to hear." "Never heard such a beautiful movie!" "The most explosive romance this year!" A large number of five-star praises, etc., also once ignited the atmosphere of live activities.

It is reported that the film "52 Hz, I Love You" was strongly created by Wei Desheng and seven composers of golden songs. Romantic love and happy music run through the whole film, which is as exciting as a dessert after dinner. On June 16th, the film will land in major cinemas. At that time, this must-have film for summer vacation will definitely allow the audience to experience an extraordinary romantic journey.

Recently, the Provincial Department of Transportation issued a notice to clarify the abbreviations of 43 ordinary provincial routes, 12 of which involve Lishui.

Let’s take a look at it together.

S209 (Fenghua-Qingyuan) is called "Fengqing Line" for short.

S209 starts in Fenghua, Ningbo and ends in Qingyuan, Lishui, passing through Ningbo, Shaoxing, Jinhua and Lishui. Among them, Lishui has a mileage of 372.13 kilometers, which starts at the junction of Jinyun and Jinhua Pan ‘an, and ends at the junction of Qingyuan and Fujian Shouning, passing through Jinyun, Liandu, Songyang, Longquan and Qingyuan.

S210 (Xianju-Jingning) is called "Xianjing Line" for short.

S210 starts in Xianju, Taizhou, and ends in Jingning, Lishui, passing through Taizhou and Lishui. Among them, the mileage in Lishui is 205.78 kilometers, starting from the junction of Jinyun and Taizhou Xianju, and ending in Jingning, Lishui, passing through Jinyun, Liandu, Yunhe and Jingning.

S211 (Tongxiang-Dongtou) is called "Tongdong Line" for short.

S211 starts in Tongxiang, Jiaxing and ends in Dongtou, Wenzhou, passing through Jiaxing, Hangzhou, Shaoxing, Jinhua, Lishui and Wenzhou. Among them, the mileage in Lishui is 78.53 kilometers, starting at the junction of Jinyun and Jinhua Yongkang, and finally at the junction of Jinyun and Wenzhou Yongjia.

S215 (Lanxi-Longquan) is called "Lanlong Line" for short.

S215 starts from Jinhua Lanxi and ends at Lishui Longquan, passing through Jinhua and Lishui. Among them, the mileage in Lishui is 147.1 kilometers, starting from the junction of Suichang and Jinhua Wucheng, and finally ending in Lishui Longquan, passing through Suichang and Longquan.

S218 (Anji-Longgang) is called "Anlong Line" for short.

S218 starts in Anji, Huzhou and ends in Longgang, Wenzhou, passing through Huzhou, Hangzhou, Jinhua, Lishui and Wenzhou. Among them, the mileage in Lishui is 137.23 kilometers, starting from the junction of Jinyun and Jinhua Yongkang and ending in Qingtian, Lishui, passing through Jinyun and Qingtian.

S219 (Lin ‘an-Cangnan) is called "Lincang Line" for short.

S219 starts in Lin ‘an, Hangzhou and ends in Cangnan, Wenzhou, passing through Huzhou, Jinhua, Lishui and Wenzhou. Among them, the mileage in Lishui is 103.16 kilometers, starting from the junction of Liandu and Jinhua Wuyi, and ending in Beishan Town of Qingtian, passing through Liandu, Jingning and Qingtian.

S220 (Qingtian-Taishun) is called "Qingtai Line" for short.

S220 starts in Qingtian, Lishui, and ends in Taishun, Wenzhou, passing through Lishui and Wenzhou. Among them, Lishui has a mileage of 7.2 kilometers, starting from Tangyang Township in Qingtian and ending at the junction of Qingtian and Wenzhou Wencheng.

S311 (Jiande-Suichang) is called "Jiansui Line" for short.

S311 starts in Jiande, Hangzhou and ends in Suichang, Lishui, passing through Hangzhou, Quzhou and Lishui. Among them, the mileage in Lishui is 26.66 kilometers, starting from the junction of Suichang and Qujiang in Quzhou and ending at Hushan Township in Suichang.

S321 (Jiaojiang-Wuyi) is called "Jiaowu Line" for short.

S321 starts in Jiaojiang, Taizhou, and ends in Wuyi, Jinhua, passing through Taizhou, Lishui and Jinhua. Among them, Lishui has a mileage of 32.81 kilometers, starting at the junction of Jinyun and Taizhou Xianju, and finally at the junction of Jinyun and Jinhua Yongkang.

S324 (Wenling-Changshan) is called "Wenchang Line" for short.

S324 starts in Wenling, Taizhou and ends in Changshan, Quzhou, passing through Taizhou, Wenzhou, Lishui and Quzhou. Among them, Lishui has a mileage of 231.51 kilometers, which starts at the junction of Qingtian and Yongjia in Wenzhou, and ends at the junction of Suichang and Jiangshan in Quzhou, passing Qingtian, Liandu, Songyang and Suichang.

S325 (Dongtou-Qingyuan) is called "Dongqing Line" for short.

S325 starts in Dongtou, Wenzhou, and ends in Qingyuan, Lishui, passing through Wenzhou and Lishui. Among them, the mileage in Lishui is 231.58 kilometers, starting from the junction of Qingtian and Wenzhou Lucheng, and finally reaching Qingyuan in Lishui, passing Qingtian, Jingning and Qingyuan.

S326 (Cangnan-Qingyuan) is called "Cangqing Line" for short.

S326 starts in Cangnan, Wenzhou, and ends in Qingyuan, Lishui, passing through Wenzhou and Lishui. Among them, Lishui has a mileage of 103.78 kilometers, starting at the junction of Qingyuan and Shouning, Fujian, and finally at the junction of Qingyuan and Songxi, Fujian.

Original title: "These provincial roads in our city have new names! 》

Read the original text

1905 movie network news Corruption is happening, and clean government is in action! The most "different" movie of the 2019 Spring Festival file released the "Gold Medal Strike" trailer and the "Expectation" version of the poster today. Directed by Mak Zhaohui, supervised by Zhuang Wenqiang and Huang Bin, and starring Liu Qingyun, Zhang Jiahui, Lin Jiaxin, Fang Zhongxin, and Yuan Yongyi, the Spring Festival file anti-corruption giant system takes the core proposition of "anti-corruption and promoting integrity" as the theme of the film. The stars are even incarnated as "civil servants" to reveal the stories behind the huge corruption crimes.

Big coffee gathers to directly attack the fundamental problems behind corruption; all staff attack, striving to promote the "clean government" ethos; fight tigers with heavy punches, and carry out anti-corruption to the end. This Spring Festival is bound to raise the "wind and clouds" again!

　

The "Four-Word Maxim" Reveals the Roots of Corruption "Anti-Crime" Understanding Corruption Is Not So Easy

In the latest "Gold Medal Strike" trailer released by the movie "Clean Government", the picture opens with a smokescreen-filled courtroom. As the narration advances, the rhythm gradually becomes tense, and a few powerful lines seem to tell the audience about the fate of the characters. The "four-word maxim" of money, power, color and greed exposes the fundamental problems behind corruption. The "desire game" of huge amounts of money brings the story to a climax. The final picture ends with a sentence "Someone must die before the matter ends". The whole trailer shows a sense of nervous oppression, and conveys to the audience a sense of "anti-corruption has not been successful, comrades still need to work hard". Even if anti-corruption is difficult, we must not forget our original intention and move forward!

In the poster version of "Looking Forward" released simultaneously, Liu Qingyun, Zhang Jiahui, and Lin Jiaxin, the three leading actors, wear sunglasses. The sunglasses reflect the image representing the triple greed of "power, money, and desire", and the three sets of words next to the portrait point out the theme of "power, money, and desire", which correspond to the root causes of corruption exposed in the film.

As a film with the theme of "anti-crime" jointly created by Mai Zhaohui and Zhuang Wenqiang, "Integrity and Integrity" integrates the theme of "anti-corruption and promoting integrity" into an intriguing story. Whether it is the poster of the "eager to see" version or the trailer of the "gold medal strike" version, it conveys the theme that "corruption is the root of all cancers", and insisting on combating corruption is the embodiment of mainstream core values. When mapped into real life, every success of anti-corruption and the fall of senior officials are very gratifying, fully demonstrating that adhering to anti-corruption is the will of the people.

　

The "Peerless" team will fight the screen again, making every effort to create the most anticipated movie during the Spring Festival

"Unparalleled" on National Day made audiences realize that high-quality Hong Kong films can still be played well. "Integrity" is another hand-in-hand of the behind-the-scenes team of "Unparalleled". Director Mak Zhaohui, along with this time’s producers Zhuang Wenqiang and Huang Bin, are determined to bring audiences a "different" New Year’s work for the Spring Festival.

Known as the "quality assurance" of Hong Kong movies, Mai Zhuang Group has always been leading the way with "crime" movies. This time, "Clean Government", they have launched a new attempt to "anti-crime". With a new story, a new theme, and a new angle, they will make every effort to create the most anticipated work of this Spring Festival stall. In the Spring Festival stall where comedy gathers, this "Clean Government" full of righteousness and outstanding quality is particularly strange.

So far, more than ten movies have been bookedThe 2019 Spring Festival file can be described as "a hundred schools of thought contending". If you want to break through the siege among the strong, you will definitely be able to stand the test of the audience. In this regard, the creators of "Clean Government" have expressed their full confidence in it.Liu Qingyun said:"In the past, the Spring Festival was a comedy, but this time, we hope to be different. A new year, a new atmosphere, and clean government are very important to society."

Zhang JiahuiHe added:""Clean Government" isA very dramatic drama,canGive the audience one more choice during the Spring Festival and watch a serious movie…"No wonder some netizens said," We shouldn’t let a good movie like’Clean Government ‘lose during the Spring Festival. In addition to entertainment, we also need positive energy! "

Emperor Film’s crime action blockbuster "Clean Government", directed by Mak Zhaohui, produced by Zhuang Wenqiang and Huang Bin, co-starring Liu Qingyun, Zhang Jiahui, Lin Jiaxin, Fang Zhongxin, Yuan Yongyi, Chen Jiale and Tang Yi, will be released on the first day of the new year, bringing the audience the only anti-corruption drama related to the interests of the people during the Spring Festival!

Special feature of 1905 film network "In the trilogy, I have never worked overtime, and my assistants have never worked overtime. Ensuring adequate sleep is very important for creators. Staying up late seems to be efficient, but it will actually lose more. "

On October 31st, Huang Shuo, editor of the trilogy Feng Shen, shared his experience of not working overtime during the editing of the trilogy Feng Shen at the 4th China Film Digital Production Industry Development Forum, a supporting activity of the 2023 China Golden Rooster and Hundred Flowers Film Festival, held in Xiamen. He also won the Best Editing Award in the 36th Chinese Film Golden Rooster Award.

Working overtime all night is the normal work of many film editors. Why can the trilogy "Feng Shen" not work overtime? Huang Shuo said that it is because of the "standardization of editing."

The theme of this forum is to focus on "Standardizing the Digital Film Production and Serving the Film Industry System". Taking the behind-the-scenes production norms of this year’s popular film and television works as the breakthrough point, we invite industry experts and senior practitioners to discuss the application and development of the digital film and television production industry norms, so as to jointly promote the standardization process of China’s digital film production industry and help build a strong film country.

From film to digital,

The Past and Future of China’s Film Technology

On the same day, the forum kicked off with five keynote speeches. Liu Xiaochun, a famous industry expert of Xiamen University and a senior engineer of the former Bayi Film Studio, first gave a speech entitled "From Film to Digital-Adherence and Inheritance of Film Industry Standards".

The technical standards of film industry refer to a series of norms and rules followed in the process of film production and screening, which reflect the development level and innovation ability of film technology. Liu Xiaochun said that China formulated a series of technical standards and specifications in the film era, but in the digital film era, it mainly exerted its strength at the application level, lacking more international discourse power at the technical level.

However, this situation is also changing. A few days ago, the International Organization for Standardization (ISO) officially approved the release of the film standard ISO 5926:2023 "Technical Requirements and Measurement Methods for Stereoscopic Projection of Digital Cinema" proposed and led by China. This is the first international film standard proposed by China, which not only fills the gap of international standards in the field of film technology in China, but also breaks the monopoly of foreign technical standards.

While the film industry embraces all kinds of new technologies and processes, how can we not forget the origin of the film? How to tell a good movie story with brand-new technical means and tools? Liu Xiaochun believes that this is a problem that film practitioners need to think about at present.

In his understanding, "the essence of film lies not in the media, but in the magic it creates." As the guardian of this art form, it is our responsibility to uphold its standards and pass on its rich heritage to future generations. Whether it is film or digital, let us continue to weave fascinating, inspiring and enduring stories. "

In 1928, the difficult film processing technology was used to create a visual spectacle. Nowadays, the upgrading of sci-fi movies such as series and the high-tech format represented by CINITY are leading the development of sci-fi movie industry in China. China’s film technology has experienced more than a hundred years of glory and vitality.

In his speech, the Deputy General Manager of China Film Digital Production Base summarized the road of independent innovation of film technology in China. In the new era, there are eight major achievements in China’s film science and technology innovation, including film digital production system and its application research and development, CINITY high-tech format film projection system, national film cloud production service platform, "China Film Shensi" artificial intelligence image processing system, film digital restoration and enhancement system, "China Film Fantasy" all-digital virtual shooting system, actor digital collection system and virtual shooting virtual production and cloud production.

Among them, there are many projects born in practice, such as CINITY LED film projection system with complete independent intellectual property rights, China Film recently completed China’s first Peking Opera film "Mrs. Anguo" with LED virtual shooting technology, the 8K dome film "Chasing China" permanently screened by communist party Historical Museum in China, and the VR panoramic film "High Precision Reproduction-Seeing the Beauty of the Times" as a gift for the 100th anniversary of the founding of the Party.

At the same time, the science and technology of China’s film industry has to face the dilemma of western technology monopoly, the industrial problems under the background of technical bottleneck and international competitiveness, the balance between technology and industry, the structural imbalance of talent demand, the problems of financing and investment, and the challenges formed by the emergence of artificial intelligence capabilities.

How to strengthen independence and promote innovation? Ma Ping suggested that we can start from many angles, such as strengthening the system construction of film standards, enhancing the R&D capability of core technologies, building China’s film science and technology industrial chain, promoting film innovation with technology empowerment, combining policy support with market drive, establishing and improving the talent mechanism of film science and technology, strengthening international cooperation, and strengthening intellectual property protection.

Virtual production, editing production, visual effect production

How to better serve movies?

From visual preview of storyboard, live real-time interactive preview based on blue/green screen to movie virtual production based on LED background wall, the forms of movie virtual production are constantly developing, the technology is rapidly iteratively upgraded, and the application is more extensive.

Zhao Jianjun, an associate professor in the Department of Film and Television Technology of Beijing Film Academy, expounded the influence of virtual production on the film digital industry in the new era in his speech from six aspects: studios and production bases, LED screen manufacturers, film and television equipment manufacturers, visual effects and engine enterprises, producers, universities and scientific research institutions.

By 2023, more than 500 LED virtual production studios have been established around the world. He pointed out that the display technology level and market share of LED background wall enterprises in China have taken the leading position in the world. Movies and TV series "Fox Demon Little Matchmaker" and "Cloud Feather" also show that the application of LED virtual production in China’s film and television industry is gradually maturing.

At present, virtual production promotes the intelligent and virtualized upgrading of the film and television industry — — Artificial intelligence, virtual digital and other technologies can better assist creation, save labor, and realize creativity more intelligently and efficiently; The boundary between reality and reality is broken, and the virtual and reality are further integrated from "making movies" to "making movies". For the future, Zhao Jianjun thinks that virtual production will be further strengthened in process innovation, industrial upgrading, personnel training and technological breakthrough.

In his speech, Huang Shuo, director of the China Film Editing Society and editor of the trilogy "Feng Shen", revealed that in his editing experience, he had encountered the situation that the sound department and the visual effect department got different versions after editing. The problem lies in the lack of standardized processes.

In his view, editing is the hub, as the starting point of the whole later work, which plays the role of connecting various departments. Standardized editing can reduce the communication cost within and between departments, reduce the probability of mistakes, be conducive to stability and unity, get off work on time and improve work efficiency.

So how to achieve standardization? Huang Shuo introduced the editing process of the film by taking the trilogy "Feng Shen" as an example.

"The editor’s life is also his life," Huang Shuo said. Editing needs a good working environment. Many editors in the group cut films in hotels, and the crew gave the editors a hard bench to work. The trilogy "Feng Shen" was specially equipped with a comfortable editing room for the editing department. The film was shot in two groups, A and B, each with two live editors and three editors in the back editing room. Everyone’s division of labor is very clear, and there will be no situation where one person has to do three jobs.

In specific editing, they have a professional technical manual, VFX Lineup with detailed data of each shot, and a modification form formed for each editing modification, which is convenient for visual effects, sound, music and other later departments to understand the editing adjustment and modification of the shot … Through a standardized operating system, the editing department and other departments can better cooperate with each other and realize the efficient operation of film production.

Jessica Yang Yuejuan, a senior visual effects producer and visual effects director, gave a speech entitled "How Visual Effects Serve Current Movies — — The shackles and expectations in the production process also mentioned that there are many irregular behaviors in many post-productions. For example, visual effects and editing have the problem of "cutting well but not producing well", so standardization is imperative.

"How can visual special effects create new heights in the industry with limited time and limited expenses on the premise of improving their own capabilities? This is not empty talk, not a lie, not a big talk. " As a visual effects producer of films such as The King of the Sky, Yang Yuejuan shared the communication, cooperation and production standards of visual effects with various departments in the early stage, shooting stage and later stage in the process of digital industrialization of China movies.

"Such a complicated process and so many steps need standards", so Yang Yuejuan puts forward professional suggestions such as visual effect grading specification, visual effect production description specification, field data collection specification, output and naming specification, pre-adjustment process, color space test, file submission specification, large file naming specification, channel naming specification, visual effect file quality inspection, file handover specification, file transmission and copy safety specification, so as to make the creator pay attention to the creation itself.

Strengthen the standard of digital film production in China,

Is the impact of AIGC big?

In the second half of the forum, a round-table seminar was held, presided over by Zhang Yange, secretary-general of the Film Digital Production Working Committee of the Chinese Film Association. Relevant persons in industry and academia expressed their opinions on the current situation and expectations of China’s film digital production norms, the value and significance of China’s film digital production norms to personnel training, and the influence of AIGC (Generative Artificial Intelligence) on film digital production norms, and made full exchanges and suggestions.

The national first-class director and the president of the Film Digital Production Working Committee of the Chinese Film Association recalled that in the film era, story board had to be written before the film was started. In the past, there was a booklet on production norms in the film studio, which was dubbed "the film constitution" by the industry. Nowadays, from film to digital film era, it is also necessary to establish a standard system.

Ma Ping said that China’s film digital production standards are entering the 1.0 era, and the industry should be alert not to leave the system being established behind, and should lay a solid foundation for 1.0 before embracing the 2.0 era. Huang Xiaoyu, director of the laboratory of the high-format film department of Huaxia Film Distribution Co., Ltd., believes that the 1.0 era is a stage for each department to explore and form the production norms within the department. The key word of the 2.0 era is "cohesion", and the production norms of each department should be opened and connected in series, and the 3.0 era will further move toward "landing".

This year, "China Film Digital Production Standard" was officially released. As the first normative reference book in the industry, it includes editing, virtual production, cloud production, visual effects, sound, color matching, DIT, mastering and other process technologies, sorting out the problems of process standards that have not kept pace with the times in the industry for many years, and providing operation guides and workbooks for many jobs in film digital production, which is well recognized by the industry.

Liu Fan, a researcher at the Film and Television Department of the Chinese Academy of Art, suggested that when the industry realizes the importance of standardization, it should continue to promote the standardization of film digital production, for example, a standardized white paper can also be launched in the filming process. The cultivation of digital production talents is also crucial, and the digital production norms need to be vigorously promoted to film and television colleges and universities. Yu Kangchun, a professor at Shanghai Film Academy, suggested that training camps and alliance organizations could be held under the concept of "integrating production with learning".

The rapid rise of AIGC is also a hot topic in the current scientific and technological development. How much impact will it have on the film digital production standards? Many industry participants said that they would always pay attention to the impact of AIGC on the industry, but they would also embrace the development of new technologies.

In terms of production efficiency, for example, the speed of the split-mirror diagram produced by AIGC is faster than that of the split-mirror, but compared with manual work, how to calculate the charging method? Do you want to reduce costs and increase efficiency? This requires the industry to continue to discuss. In the eyes of most guests, although AICG can improve the working efficiency of some aspects of film digital production at present, it still does not have the creative wisdom and productivity of human beings and still depends on film artists.

No matter how the film technology will develop in an unimaginable trend, as Liu Xiaochun said in his speech, "the integration of technology and the demand for novel experience will determine the exact trajectory of film technology. However, one thing is certain: the future of the film will be as groundbreaking as its legendary past. "

Zhongxin. com, Chengdu, September 7 (Reporter Liu Zhongjun) The reporter learned from the Sichuan Earthquake Administration on the 7 th that the on-site earthquake damage investigation of the Luding M 6.8 earthquake in Ganzi Prefecture is under intense pressure, and the investigators have investigated 78 points (76 house intensity points and 2 disaster points).

　　After the Luding 6.8 earthquake in Ganzi Prefecture, Sichuan Earthquake Administration sent 19 disasters, a casualty investigation team and a drone disaster investigation team, with a total of more than 80 staff members, to the earthquake area to carry out investigations. As of 21: 00 on September 6th, 78 sites have been investigated (76 sites of house intensity and 2 sites of ground disaster).

　　At the same time, more than 40 people and 24 sets of seismic monitoring equipment were dispatched to carry out mobile monitoring. At present, the installation and erection of a mobile seismic station has been completed in Lengzhai Town Central Primary School, and the data has been successfully transmitted back. Leveling group 1 completes the leveling observation of Yeping site; The emergency leveling team completed the leveling survey of the cotton crab branch site; GNSS Group 1 completed the installation of H072 instrument in the regional station; Seismic group 2 and seismic group 3 are carrying out station erection; The flow magnetic group is also carrying out measurements.

　　In addition, the investigators in the earthquake area also carried out earthquake knowledge publicity through various forms such as fixed points, mobility and accompanying disaster investigations, distributed more than 3,000 publicity materials and received more than 300 inquiries from the public.

　　At present, investigators are going deep into the epicenter of the earthquake to carry out on-site earthquake damage investigation, and the on-site investigation work in the earthquake area is progressing in an all-out and orderly manner.