Sure enough, Song Dandan is so embarrassed that I can’t breathe again …

When everyone is avoiding embarrassment, the variety "Fifty Kilometers of Peach Blossom House" will"embarrassed"As his own signboard.

In the first season, the word-of-mouth was very unsatisfactory, and even the second season was released.

The program puts "embarrassment" on the table in a careless way, and presents all kinds of uncomfortable behaviors such as rubbing hands and scratching ears of guests in front of the audience.

Be proud of embarrassment and make embarrassment a selling point.The guests in front of the camera are in a dilemma, and I am in the throat outside the screen. What is this variety show playing?

Let’s take a look at the original intention of the program self-report:

"Explore the various faces of social life in contemporary society under the changes of different social distances, and write new answers to the beautiful social life."

What kind of presentation?

Invite 15 guests with different ages and personalities to get together and live together for 21 days. The 15 guests came from all walks of life, including actors, models, athletes, talk shows and piano players, as well as online celebrity and singers …

It’s more like a social experiment than a variety show.

The essence of variety shows is to entertain the public, but it is obviously difficult for this program with a "social experiment style" to be associated with "entertainment".

Why don’t you just find another way for the program group, and then create a topic with "embarrassment".This gives the audience a kind of pleasure like "watching the excitement", which can also be regarded as entertaining the public in a certain sense?

Because of the variety tone of entertaining the public, the program group must find ways to make the guests collide with sparks, instead of really leaving people in front of the camera like social experiments.

Chatting together, eating together, even sleeping together will be a big shop, which can be described in four words:There is nothing to hide.

In this way, the first impression of the program becomes chaos.

Fifteen people live in one room, which is extremely crowded objectively and quite messy subjectively. In a word, it makes people feel bad.

This is the audience’s point of view, and from the guest’s point of view, it is even more speechless.

Everyone is flocking to do anything. Just talking about washing dishes, it is clear that one or two people can solve the problem, but a group of people can be surrounded.

Don’t they know that they are actually embarrassed to stand there? Of course I know, but I can’t help it.

The camera is there, others are washing dishes, and it’s embarrassing to sit by yourself. Standing next to it is also a sense of participation, seeking a little comfort for the heart.

The embarrassment caused by too many guests is still secondary. The program regards embarrassment as the first color, so it is really uncomfortable to be ashamed and proud.

There is also a game in which two guests who are most embarrassed with each other dance a tango, and they can get contribution value.

What’s the use of contribution value? It’s about all their expenses here.

In other words, they must be embarrassed to dance a passionate tango with the most unfamiliar and "unsuitable" people in order to "live".

If you don’t jump, you won’t have food. Will you jump? Personality self-publicity, such as Eric Wang, has to be obedient.

Such hegemony is not only embarrassing, but also terrible.

In the first phase of the program, I always emphasize one thing:At present, everyone is unfamiliar.

The subtext is that the social embarrassment caused by strangeness will be alleviated in the next few issues.

Why is it so sure?

The program will bring 15 people together to live in groups, and the last thing is that everyone will blend in as in the poster.

I don’t care what your original personality is, and I don’t care whether you like socializing or whether you prefer being alone. All this is pushing you and forcing you to get rid of "social fear" and become a "social cow".

This is the biggest problem of the program "Fifty Kilometers of Peach Blossom House 2".

The social roles of the guests in the program can be completely ignored. For example, Silence Wang is no longer regarded as a singer, Eric Wang is no longer an actor, and Wu Muye is no longer a pianist. We just need to regard them as 15 amateurs with different personalities.

Among the 15 guests, the people who took the most shots and spoke the most were several Northeasters.

In many people’s inherent impression, most people in Northeast China are extroverted, familiar and sociable. They in the program, and indeed so. It can be said that the atmosphere of the whole program is supported by a few of them.

We envy the extroverted people who can talk with the stranger Kan Kan, and we like to watch them chat with each other.

On the other hand, should introverts and inarticulate people be discriminated against?

Some people like to socialize, while others prefer to be alone.

Some people tend to fight side by side with their teammates, while others prefer to fight alone.

Some people enjoy singing in front of everyone, while others prefer to whisper silently in the middle of the night when no one is around.

······

The world is wonderful because there are all kinds of people.

But "Fifty Kilometers of Peach Blossom House 2" doesn’t seem to allow the latter to exist. At the beginning of the program, the tune is "good social life".

Is social life necessarily beautiful? Small groups of three or two people are still fighting in secret, and a large group of 15 people must be like family? What kind of fairy collective is that?

Especially at the end of the program, Song Dandan asked everyone to save a bonfire party, and everyone would come out to perform their talents.

If the whole program is like a "group building" organized by the company, then the party proposed by Song Dandan is undoubtedly an "annual meeting" of the company. Older elders with high status have made demands. Even if the younger generation is reluctant, are they really embarrassed to say it? The purpose of socializing is actually communication, but the differences in ideas between generations and the different status in the circle will undoubtedly make communication very difficult. Song Dandan certainly meant well, but when her proposal was heard by young people, it became a source of embarrassment.

To tell the truth, such a performance party is not even as good as the annual meeting of the company. At least you can win an award at the annual meeting, but in the program, you get nothing.

The way Song Dandan lets everyone put on the show looks like a child being dragged out by his parents to perform in front of his relatives.

The extroverted child has a calm face, and the introverted child can’t wait to get into the crack.

Originally, they only had different personalities, but the latter was denied and scolded by adults, and was defined as "worthless". "Fifty Kilometers of Peach Blossom House 2" gives people the feeling that it is so absurd.

Cecilia Boey’s discomfort:

Jesuli Chen’s embarrassment:

Wu Muye at a loss:

Eric Wang’s resistance:

······

Some people are naturally unsociable. Is it wrong?

The program group even regards "solitude" as a punishment, and the person with the lowest contribution will be "exiled" to live alone on the island for one night.

After the first program was broadcast, Song Dandan became the target of public criticism. The audience thought that she was leaning on the old and selling the old, forcing everyone to hold a party and give a program, and supporting Eric Wang, thinking that he was right and cool.

It can be seen that everyone is surprisingly disgusted with this kind of social binding.

The perspective can be expanded. Isn’t the whole Fifty Kilometers Peach Blossom Noon 2 a Song Dandan?

Forcing 15 people to live a beautiful group life together, those who don’t "fit in" will be exiled, and the punishment is "one night alone". I really can’t laugh at this magic.

Looking back, it is really disgraceful to watch the program group clip out the embarrassment of social phobia and present it on the screen as a gimmick for the audience’s entertainment.

The pictures in this article are from the Internet. If there is any infringement, please contact and delete.

Finally, back to the initial question, what is this variety show broadcasting, or what is the point of view?

Is it an embarrassing moment of social fear? Or the peace and love of 15 people from strangers to family?

It takes 21 days to try to reverse the character formed by their 20 or 30 years’ experience, which is probably the only joke in Fifty Kilometers of Peach Blossom House 2.

Ha ha ha ha, I smiled, you are free.