It is related to the central deployment! Collective donations, such as the secretary of the provincial party Committee, the governor and the chairman of the provincial CPPCC, have deep meaning behind





Teaching make-up, experience generation, and pit prevention, some reliable beauty bloggers are the hearts of many beauty lovers, and are also favored by many beauty brands. However, this beauty trend has blown to children prematurely. On the social media platform, a group of children’s "online celebrity" appeared with gimmicks such as "the smallest beauty blogger in the whole network" and "learning makeup with cute baby".
It is worth noting that the adults behind them earn a lot of money, but the minors who perform and watch may get lost because of their premature contact with the materialistic world. In addition, experts pointed out that it is illegal to guide children to endorse beauty products and shoot and upload videos.
A tender face
Adult appearance
Everyone loves beauty, but Ms. Qin, a resident of Taiyuan City, Shanxi Province, was very surprised when her 6-year-old daughter proposed that she wanted a beauty suit and elegant mature makeup. After some inquiries, Ms. Qin found that children’s beauty bloggers are very popular in kindergartens. Children compete to buy beauty products recommended by online celebrity, and play with lipstick and eye shadow, while others are keen to imitate and shoot "beautiful" beauty videos.
The reporter found that on social media platforms such as Xiaohongshu, bilibili, Haokan Video and Aauto Quicker, there are not a few graphic videos of children’s makeup, some of which are posted on the home pages of children’s beauty bloggers, while others are interspersed in the home pages of adult bloggers.
"Just after my fifth birthday, I put on a pure peach makeup." "Fine girls should use it, I have used 8 bottles" … … In the short video, under the background of sweet music, online celebrity, a child wearing an off-the-shoulder dress, curls up a mature hairstyle, skillfully puts on layers of foundation and eye shadow, winks at the camera, skillfully introduces cosmetics with crisp baby sounds, and guides netizens to buy, just like an adult who goes out in social occasions.
"Merchants and platforms ignore value orientation for economic benefits." Liu Ting, a kindergarten teacher in Yuncheng City, Shanxi Province, said that it is common for children to want to be beautiful and be liked by many people. Merchants and platforms have taken advantage of this to promote the fashion of beauty dressing among children.
"Behind the popularity of children’s beauty bloggers is the children’s beauty industry that has developed rapidly in recent years." Liu Zhong, executive deputy secretary-general of Guangdong Cosmetics Society and professor of Jinan University School of Life Science and Technology, said. According to data released by an e-commerce platform, domestic children’s makeup sales increased by 300% year-on-year in 2020. "Post-80s" mothers became the main force to buy cosmetics for their children.
The reporter searched for "children’s cosmetics" on the e-commerce platform and found that there are many kinds of products, such as lipstick, blush and eye shadow, and the shops are very active. Huang Xiaoshu (pseudonym), a live e-commerce practitioner, pointed out that the fast-growing children’s beauty companies have strong advertising demand. A blogger with 100,000 fans on Xiaohongshu can get thousands of dollars in income every time he receives a single advertisement, which can be described as considerable profit.
Let children make up too early.
Being a blogger is really a "pit" baby.
For some parents, shooting short videos for their children and uploading them in a small range can record their lives and exercise their oral expression. However, many people in the industry said that most children’s beauty bloggers actually plan and produce content for children’s "online celebrity" to perform, with the purpose of "eye-catching", gain traffic to advertise for businesses, and then earn profits, and few bloggers simply record their lives.
Creating a personal design and creating a children’s beauty blogger not only "pits" their own baby, but also "pits" other babies.
Children are easily addicted to it, which breeds the psychology of comparison. Some parents have observed that in order to promote products, children’s beauty bloggers often say "all the children in kindergarten are using it" and "Let mom buy it for you", which has obvious incentive effect on children. "Once I hear it, turn around and let me buy the products", or compare it with my classmates.
Make-up and video shooting will leave traces in children’s hearts. A netizen commented: "I love imitation too much. I often see my daughter secretly putting on makeup on her mobile phone and saying what beauty bloggers often say."
Zhao Zhanling, deputy director of Beijing Zhilin Law Firm, believes that there are many sub-sectors of the beauty industry, and if we devote our attention to them, we will spend a lot of energy and occupy children’s study and outdoor activities. Moreover, social media has a certain addictive design. Children who come into contact with beauty cosmetics and "online celebrity" too early are easily addicted to it, which will also lead to peer imitation and comparison.
The use of cosmetics tends to be younger and more generalized, and unqualified children’s make-up products are prevalent. A number of interviewed experts pointed out that there is a general tendency in the use of children’s makeup at present. Ding Hui, chief physician of the Department of Skin and Beauty of the First Affiliated Hospital of Guangzhou University of Traditional Chinese Medicine, said that children’s make-up products are not popular products, but are designed for children in the direction of art, actors and models for their short-term use on special occasions, but at present, the publicity of children’s beauty bloggers and others has not explained this, but just recommended to buy them.
In addition, there are many chaos in the children’s cosmetics market, and it is easy for parents to buy unqualified products without the ability to distinguish. Wang Fang, a makeup developer and beauty blogger, observed that many so-called children’s makeup on the market claimed to be specially developed and designed for children, which was non-toxic and harmless, but actually packaged the products into children’s toys for sale. Other manufacturers only show "cosmetics" and delete the words "children" when submitting for inspection and filing, so as to avoid the strict inspection of cosmetics by relevant departments.
"Make-up contains a lot of synthetic pigments and powder ingredients, and there are many antiseptic ingredients in oil paints. Qualified children’s make-up products will burden children’s skin, and unqualified make-up products may also cause damage to children’s respiratory system." Ding Hui said.
Some video content conveys soft pornographic information and appearance anxiety. The reporter observed that some children’s beauty bloggers said that the contents such as "heart" and "green tea" presented an adult trend, and even included soft pornographic words such as "pure desire" and "beheading men". "These contents are spoken by children and seen by children. The influence is too bad." Ms. Qin said.
"Premature exposure to make-up won’t let children establish a relationship with ‘ Beauty ’ The correct understanding of some children’s aesthetics will become very single, and it will also make them ignore the pursuit of soul, wisdom, natural beauty and diverse beauty. " Zhu Wei, deputy director of the Communication Law Research Center of China University of Political Science and Law and an expert of the China Consumers Association Expert Committee, believes that the younger age of the beauty trend also means that the tendency of objectifying women and appearance anxiety is passed on to children prematurely.
Children’s endorsement of beauty products is suspected of breaking the law.
Experts call for strengthening platform supervision
Interviewed experts and industry insiders believe that children’s endorsement of beauty products is suspected of being illegal, and illegal content should be rectified and platform supervision should be strengthened. Zhu Wei pointed out that the advertising law clearly stipulates that minors under the age of 10 should not be used as advertising spokespersons. In the mass media aimed at minors, advertisements for medical treatment, medicines, cosmetics, beauty and online games that are not conducive to the physical and mental health of minors shall not be published. The relevant platforms should remove illegal videos as soon as possible, rectify relevant sections, and pursue and educate parents who violate the law and platforms that are not strictly censored according to law.
Experts suggest strengthening the publicity and education of guardians and improving the aesthetic education in schools. Liu Deliang, a professor at the Law School of Beijing Normal University, said that guardians should be more cautious and not let children get in touch with the adult world prematurely for short-term benefits. Kindergartens and schools should also attach importance to aesthetic education and cultivate young people’s ability to appreciate and create beauty.
In addition, the development of children’s make-up market should be standardized. On June 18th, 2021, National Medical Products Administration publicly solicited opinions on the Provisions on the Supervision and Administration of Children’s Cosmetics (Draft for Comment). Liu Zhong said that the exposure draft has strict requirements for the safety evaluation of children’s cosmetics, but the punishment is still slightly insufficient, and the regulatory measures still need to be further strengthened. At the same time, standardize the advertising language of children’s makeup, so that children who really need it can use non-toxic and harmless beauty products.
According to Xinhua News Agency/vision china
Cctv news(News Network): Today (October 12th), the National Development and Reform Commission issued the Notice on Further Deepening the Market-oriented Reform of on-grid tariffs for coal-fired power generation. China will release all on-grid tariffs for coal-fired power generation in an orderly manner, and the floating range of transaction prices in the coal-fired power generation market has also expanded, marking another important step in China’s electricity market-oriented reform.

On the power generation side, the on-grid tariff of all coal-fired power generation will be released in an orderly manner, and all coal-fired power generation will enter the power market in principle. At the same time, expand the fluctuation range of market transaction price, and expand the fluctuation range of coal-fired power generation market transaction price from the current fluctuation range of no more than 10% and no more than 15% in principle to no more than 20% in principle, and the market transaction price of high energy-consuming enterprises is not limited by 20% fluctuation.
These measures will further drive the power generated by other types of power sources to enter the market, laying a solid foundation for fully liberalizing the on-grid tariff on the power generation side.

On the power consumption side, this reform clearly proposes to promote industrial and commercial users to enter the power market in an orderly manner, and purchase electricity at market prices. For industrial and commercial users who have not directly purchased electricity from the power market, power grid enterprises will purchase electricity on their behalf, and encourage local governments to implement phased preferential policies for small and micro enterprises and individual industrial and commercial households. At the same time, the supply of electricity for residents and agriculture is guaranteed by power grid enterprises, and the current sales price level remains unchanged.

Special feature of 1905 film network Although the Spring Festival holiday has passed, the popularity of "the longest festival in history" continues.
It’s just that the "longest" here is not simply used to describe the "stamina" of the Spring Festival in 2023. From the objective data, these films this year have greatly improved the average data in the past in terms of single length:
At present, it still leads the single-day box office list, and the duration of a single film reaches 173 minutes, which not only increases by 48 minutes compared with the previous film, but also becomes the longest film in the same period in recent years. No wonder the most popular and practical movie guide will be: If you must go to the bathroom, peeling apples by Liu Peiqiang is your only chance.
In the same period, the film length reached 159 minutes and 128 minutes respectively, which also made the average time of six films in the Spring Festival in 2023 reach 129.5 minutes, an increase of more than 20 minutes compared with 2022.

The recent "super-long" new films are not limited to them: those who won the New Year’s Eve in 2022 and the New Year’s Day in 2023 have a film length of 192 minutes; Marvel Comics’s works, which were recently painted, are also 161 minutes long.
When more and more "feature films" appear, does the audience gradually "adapt well"? Will the growth of film length have an impact on the box office and the number of people watching movies? Is there a "limit" to the length of the film?
What changes have been brought about by the average film length of 130 minutes?
In 2023, the box office of the Spring Festival file finally closed at over 6.75 billion, up by over 10% year-on-year, and the number of people watching movies was also 129 million. Correspondingly, the total number of screenings decreased: in 2022, the total number of screenings during the Spring Festival period reached 3.14 million, while this year, this figure was 2.665 million.

"This is the most intuitive impact." Yu Chao, deputy general manager of Capital Cinema, introduced in an interview with 1905 Film Network that as one of the most important schedules in a year, all cinemas will make good preparations in advance during the Spring Festival, and strive to make full use of business hours to maximize the number of screenings with the most reasonable screening and inter-field time.
"Maximizing the number of times means an increase in reception capacity and total reception, just like the turnover rate of restaurants." The concentrated appearance of "super-long" films in the prime time this year has indeed brought greater pressure and fierce competition to the film arrangement of cinemas.
According to the normal business hours of most cinemas, the number of 2-hour (inclusive) long films that can be shown in a single hall in a day is about 6-7. "For films that are nearly three hours, it may be four in a day, and some cinemas may be able to arrange five." Manager Yu gave us an example to calculate: "If the number of films for two hours or more is large, it will definitely affect the arrangement of the final total number of films.

For cinemas, how to fully display goods with limited shelves and attract more viewers to buy tickets is always the first problem to be considered. Chen Min, Shanghai regional manager of King UA Film City, revealed that during the Spring Festival, "super-long" films mainly brought the pressure of film arrangement and turnover. In the case of non-hot schedule and a small number of films in the same period, the film length of 3 hours+and otherwise will not bring much impact.
However, the increase in the length of a single film in the Spring Festival this year and the decrease in the number of screenings have not worried the cinema too much. On the one hand, through market adjustment, the ticket price has been correspondingly increased. On the other hand, the high topic and high quality of the film in the Spring Festival just passed also led to the increase in the number of people watching movies. According to the public data of the ticketing platform, the total number of people watching movies in 2023 increased by 13% year-on-year, and the average number of people watching movies per game increased by over 30%. This change has also successfully filled the impact of the reduction in the number of games.

Yu Chao said that from the current point of view, the film "super long" has not yet formed a mainstream trend. At the same time, the "super-long" works in each schedule are usually "head films" with higher quality and attention, and the limited screening does not conflict with the ticket demand of most viewers. This is why the overall box office data of this year’s Spring Festival file has not been affected too much.
"At the same time, the audience will only choose one film. Maybe some films are short and can be screened more times, but their content is not as attractive as long films. Even if there is room for more times, it is meaningless. (After all) The number of people watching movies and the attendance rate will be different."
2 hours, 3 hours … Is there a "limit" to the audience’s choice of watching movies?
In order to understand the audience’s attitude towards "super-long" films, a few days ago we also launched a vote on the official blog of the 1905 film network. Among the netizens who voted, nearly 20% said that the three-hour film is their "limit". If the film length continues to increase, they may have concerns when purchasing tickets, or need to set a "intermission" time; 12% of the audience think that the length of cinema films can be further compressed, for example, within 120 minutes is more suitable.
The vast majority of the audience surveyed said that they don’t mind the length of the film, but the premise is that the content of the film is excellent and the theme is attractive enough.

In the past, movies were mostly about 120 minutes long, partly because of the limitation of "film" media, and psychological tests have shown that movies about 2 hours can concentrate the audience’s attention more. But now, with the development of the film industry, digital media has solved the limitation of film length, and the audience’s habit of watching movies has gradually developed, which has further helped filmmakers to release their creative "space" to some extent.
Fan Xiao Wei watched Wandering Earth 2 and Unknown in the film length TOP3 during the Spring Festival this year. She also bought tickets for Avatar 2 and Panther 2 for the first time. "It is true that the first reaction will be a little’ shrinking’ when you see the length of about 180 minutes, but if you want to watch a movie or a big IP, you will definitely go to see it in the end, but the decision process may be much longer than the normal movie of about 120 minutes, because it feels that watching a movie of about 180 minutes is basically full this day, and you need to make good arrangements." She said frankly.
However, Xiao Wei also said that in fact, the "entanglement" of the three-hour movie only exists in the step of choosing the number of times before watching the movie. "As long as the movie is exciting enough when it really looks, it will not feel that the length of 180 is very difficult."

Fans have similar ideas one by one. During the Spring Festival, she watched the films Wandering Earth 2 and Man Jiang Hong. Although the two films were considerable in length, the excellent special effects of the former and the reversed plot setting of the latter made her feel that "time passed quickly". However, watching Panther 2 after the Spring Festival was a bit disappointing: "Actually, it’s not as long as Wandering Earth 2, but I secretly brushed my mobile phone many times."
However, I think that three hours or so may be the "threshold" for many people to watch movies. "If it is four hours, I may feel too long when I hear this number."

In this regard, Chen Min, Shanghai regional manager of King UA Film City, revealed that the cinema also envisaged that the duration of the film would continue to increase, which would open up a plan for the audience to have halftime.
Yu Chao, deputy general manager of the Capital Cinema, believes that with the increase of film length, the pressure will still be more between the film announcement and the producers. "Publishers should consider the greater competition they face and how to better launch the products within the schedule to help the project stand in the cinema."
For the audience, the cinema can also continue to help the audience plan the viewing time earlier by optimizing the film arrangement and pre-sale: "For example, at present, the pre-sale of our ticketing platform will be many days in advance, and now the ticketing platform also indicates the start and end time of the film, which can help the audience make follow-up arrangements."
The length of the film will not affect the choice of the audience. In this multi-party dialogue, we finally gained this mainstream view. I believe that in the future, good content can continue to break the "limit".
CCTV News:Recently, the Ministry of Housing and Urban-Rural Development, the Ministry of Finance and the People’s Bank of China jointly issued the 2017 Annual Report of the National Housing Provident Fund. The "Report" shows that the coverage of the housing provident fund system has been further expanded, and the amount of deposits has continued to increase.
The per capita contribution of the national housing provident fund is 13,600 yuan.
In 2017, there were 2,623,300 paid-in units of housing provident fund and 137,372,200 paid-in employees, and the number of paid-in units and paid-in employees of housing provident fund kept increasing year after year. In 2017, the deposit of housing provident fund was 1,872.674 billion yuan, an increase of 13.06% over the previous year, and the annual deposit of housing provident fund maintained a double-digit growth rate for five consecutive years. By the end of 2017, the total amount of housing provident fund deposit was 12,484.512 billion yuan, with a balance of 5,162.074 billion yuan. The per capita contribution of the national housing provident fund was 13,600 yuan, a year-on-year increase of 7.53%.
The proportion of depositors in the non-public economy is close to half, and 6900 Hong Kong, Macao and Taiwan compatriots are included in the housing provident fund system.
The Report shows that the main body of housing provident fund deposit is diversified and the deposit structure tends to be balanced. Among the employees who paid in the national housing provident fund, employees of urban private enterprises and other urban enterprises, foreign-invested enterprises, private non-enterprise units and other types of units accounted for 45.31%, an increase of 2.45 percentage points over the previous year, and the proportion of employees who paid in the non-public economy was close to half. Among the newly opened employees, employees from urban private enterprises and other urban enterprises, foreign-invested enterprises, private non-enterprise units and other types of units accounted for 71.37%, an increase of 2.26 percentage points over the previous year. Non-public economic depositors have become the main force of new deposits. Among the newly opened employees, there are 9,662,800 new citizens such as rural migrants and newly graduated college students, accounting for 52.85% of the newly opened employees. After the implementation of the housing provident fund treatment for Hong Kong, Macao and Taiwan compatriots employed in the Mainland at the end of November 2017, by the end of 2017, 6900 Hong Kong, Macao and Taiwan compatriots had been included in the housing provident fund system.
Housing accumulation fund strongly supports the basic housing consumption of employees.
According to the Report, in 2017, the withdrawal of housing provident fund was 1,272.98 billion yuan, of which 1,011.895 billion yuan was drawn from housing consumption, accounting for 79.49% of the withdrawal in that year; Housing lease withdrawal was 44.476 billion yuan, up 22.21% year-on-year, and the number of housing lease withdrawals was 4,955,200, with a per capita withdrawal amount of 9,000 yuan.
In 2017, 2,547,600 individual housing loans with housing accumulation fund were issued, amounting to 953.485 billion yuan. By the end of 2017, 30,825,700 individual housing loans were issued, amounting to 7,560.283 billion yuan, with a balance of 4,504.978 billion yuan and a personal housing loan ratio of 87.27%.
Among the individual housing loans issued in 2017, low-and middle-income groups accounted for 96.05%, the first housing loan accounted for 86.24%, and ordinary housing below 144 square meters accounted for 89.20%. Housing provident fund loans mainly supported low-and middle-income workers to purchase the first ordinary housing.
The service level of housing provident fund has been continuously improved.
According to the Report, at the end of 2017, among the 342 cities with districts in China, 295 cities opened the housing provident fund portal, 313 cities used the 12329 housing provident fund service hotline, 161 cities built online business halls, 233 cities set up self-service terminals, 241 cities opened official WeChat, 128 cities launched mobile phone clients, and 105 cities built the above eight services. In July 2017, the national housing provident fund transfer and connection platform was completed and opened, realizing that "accounts go with people and money goes with accounts". By the end of 2017, a total of 190,000 housing provident fund transfer and connection businesses and 5.41 billion yuan had been completed through the transfer and connection platform.
Risk prevention and control of housing provident fund is safe and effective.
According to the Report, at the end of 2017, the loans overdue amount of individual housing of housing provident fund was 1.058 billion yuan, and the overdue rate was 0.02%, which remained at a low level. By the end of 2017, the balance of personal housing loan risk reserve was 169.118 billion yuan, accounting for 3.75% of the balance of personal housing loans, reaching 15.985 times of overdue loans, which can fully cover the risk of personal housing loans. (CCTV reporter Tigerson Yang)
Health is an eternal topic, and health beauty is the constant pursuit of people. In the current era when everyone talks about health, health aesthetics advocating the beauty of nature and vitality is gradually recognized by people. Born for health and beauty, nutrition aesthetics, a well-known domestic biotechnology brand, is entering thousands of households, injecting fresh blood into the development of big health industry.
Since its birth, nutritional aesthetics has been deeply exploring in the fields of "great health" and "biotechnology", and has successively launched a series of products such as collagen elastin drinks, solid drinks of naked algae and plantain shells, probiotics and ready-to-eat lactic acid bacteria, which help Chinese people’s health from three dimensions.

Present the natural beauty of skin and cultivate a good complexion from the inside out.
Scientific skin care should make the skin transform from the inside out and make the skin present natural and healthy beauty. This is also the pursuit of nutritional aesthetics collagen elastin series drinks.
Nutritional Aesthetics Collagen elastin series drinks are oral beauty products under the brand, including classic collagen elastin solid drinks, collagen elastin white peach-flavored drinks, pomegranate-flavored collagen elastin solid drinks (hyaluronic acid version) and many other products. This series of products are aimed at the beauty needs of Chinese people, and all of them are added with three core components: SCP super collagen peptide, bonito elastin peptide and spearmint extract, which can effectively supplement collagen and elastin for the skin and help the skin resist the aging and saccharification problems.
In view of the industry trend that sodium hyaluronate is listed as a new food raw material in National Health Commission, nutritional aesthetics has also introduced a pomegranate-flavored collagen elastin solid beverage (hyaluronic acid version) based on the original formula. Through the addition of this "king of moisturizing" ingredient, the product has a stronger hydrating and moisturizing ability, and once it is introduced to the market, it has won the favor of many celebrities and beauty lovers.

Balanced nutrition controlappetite Drink a slim figure
The beauty of health is not only reflected in healthy skin, but also in a well-proportioned figure. We should maintain a good living habit and a healthy and well-proportioned figure while nourishing our complexion.
In nutritional aesthetics, three core components, namely gymnosperm, plantain shell and fructooligosaccharide, were added to the solid beverage of gymnosperm. Among them, Euglena EX45, which is known as "Cordyceps sinensis in water", has a polysaccharide content of not less than 45%, is rich in 59 nutrients and high-quality dietary fiber, and can effectively supplement nutrients for the body. The soluble dietary fiber content of Plantago asiatica shell is as high as 80%-90%, which has high expansion rate and good gelation. After entering the human body, it is easy to feel full and avoid overeating, especially suitable for beauty lovers who need to reduce fat.
At the same time, the core component "Euglena polysaccharide" in Euglena can also help improve the intestinal environment, absorb the excess oil wrapped in the intestinal tract and excrete it. Fructooligosaccharides, another core component, is a high-quality prebiotic, which can provide food for probiotics in the intestine, promote the colonization and proliferation of probiotics in the intestine, and care for the health of the intestine. These three ingredients work together to control appetite, while maintaining a balanced nutrition, so that you can show a good figure.

Caring for intestinal health and building the cornerstone of health
Intestine is the "nutrition supply center" of human body, and it is also the cornerstone of human health, and is known as the "second brain" of human body. Michael Gehlsen of Columbia University in the United States published an article in Scientific American, saying that 95% of serotonin, dopamine and a variety of hormones that make people feel happy are synthesized in the intestine. It is enough to see the importance of caring for intestinal health.
Eight high-quality and high-activity strains were added to nutritional aesthetics probiotics and ready-to-eat lactic acid bacteria, which is a scientific formula combination with better performance selected by the nutritional aesthetics R&D team according to the physique of Chinese people. It can cover three parts of human stomach, small intestine and large intestine at the same time, and realize "full channel coverage" of digestive system. According to the characteristics of the eight probiotics, the R&D team also matched five kinds of high-quality prebiotics with different long and short chains, such as polyglucose, xylooligosaccharide, inulin, lactitol and isomaltooligosaccharide, to meet the preferences of different probiotics, enhance the vitality of probiotics and make them better serve the health of digestive tract. At the same time, in order to let more probiotics reach the gastrointestinal tract alive, nutritional aesthetics adopts liquid nitrogen dripping freezing technology and keeping alive embedding technology, just like putting nano "armor" on live bacteria, so that live bacteria can safely pass through layers of blockade such as gastric acid and bile salts, and directly reach the digestive tract system, which will better help the ecological health of the gastrointestinal tract.

Cultivate good skin, show good figure, care for intestinal health, and nutritional aesthetics is committed to realizing the beauty of health for Chinese people. Looking forward to the future nutrition aesthetics will bring more good products and help Chinese people to be healthy in by going up one flight of stairs!

Yesterday, the Xingang Street Relocation Working Group launched household publicity.
Fuzhou News Network on November 30th (Fuzhou Evening News reporter Zhao Zhengyan correspondent Lin Yanzhi/reporter Ye Cheng/photo) According to the work arrangement of the municipal party committee and the municipal government, Taijiang District started the renovation project of the old housing area in the South Park area in an all-round way, with a total collection area of about 303 mu and nearly 3,000 households involved in the relocation, and officially signed the contract on December 3rd.
Start the renovation of old houses and build characteristic blocks
It is reported that the renovation project of the old housing area in the South Park area is located on the south side of Guohuo West Road and the west side of Liuyi Road, including the renovation project of the old housing area around the South Park, the land requisition for the renovation project of the old housing area around the South Park, the park green space project on the east side of the Tiegang River, the Xingang Road Road Road Project (Phase II), the Zhupaicheng plot project and the renovation project of the old housing area around Yingzhou River.
"The project will be considered in an all-round way, including the management of Tieganghe River, the protection of historical and cultural blocks with South Park characteristics, and the renovation of old housing areas." According to the relevant person in charge of Taijiang District Government, according to the idea of resolving the old city, the residents in the South Park area will mainly be resettled in a decentralized way, making room for improving public facilities; Combined with the project transformation, improve the district road network and municipal pipe network, increase the park green space, and fill the shortcomings of people’s livelihood such as primary and secondary schools, kindergartens, community comprehensive supporting facilities and social public parking lots.
The renovation project of the old house area in South Park also pays special attention to historical and cultural protection, and the protection plan will be compiled, which will create a historical and cultural block with South Park characteristics. It is reported that the block is planned to be 16.88 hectares (253.2 mu), of which the core protection area is 8.65 hectares. There are three provincial-level cultural protection units (Lutong Bridge, Wanshou Bridge and Rouyuan Post), one district-level cultural protection unit (South Park), three announced historical buildings and 45 proposed historical buildings in the block, and other traditional streets and lanes such as Lutong Street, Longjin Street and Hecun Lane are retained, as well as many ancient and famous trees and ancient bridge sites.
According to the overall orientation of the plan, this place will take Hefang and block as the carrier, and take tribute culture, inland river culture and street culture as the theme to create a characteristic historical and cultural block with the characteristics of Sino-foreign trade and cultural exchange, distinctive folk cultural characteristics and rich humanistic heritage.
Deployment command is implemented step by step before collection.
It is reported that at the beginning of the project, the Taijiang District Party Committee and the district government set up the South Park District Housing Expropriation Command, which was headed by the main leaders of the district party Committee and the district government, and the four teams were responsible for the division of labor and package. There were eight working groups under the command, including comprehensive coordination and supervision, relocation, publicity, comprehensive law enforcement, stability and stability, legal services, discipline inspection and supervision, and cadre inspection.
The whole South Park area is divided into three sub-areas, and three sub-headquarters are set up correspondingly. Taijiang District Construction and Investment Center, Taijiang District Development Company and Taijiang District Housing Management Bureau, together with six street working groups of Xingang, Yangzhong, Chating, Yingzhou, Yizhou and Houzhou, jointly promote the specific collection work.
The overall collection time is divided into two periods, the first signing period is before the release of the collection decision, from December 3 to the date of the release of the collection decision; The second signing period is after the release of the collection decision, which is planned from the release of the collection decision to before the Spring Festival next year.
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The China Institute of History of China Academy of Social Sciences, which was officially unveiled in January this year, has now set up an academic advisory committee, and 41 committee members from the national history circle have officially made public appearances.
In the 19th edition of People’s Daily published on September 24th, it was announced that "according to the establishment plan approved by the central authorities, the China Institute of History selected 41 experts and scholars from the national history circle to set up an academic advisory committee. Members of the Academic Advisory Committee of China Institute of History are now announced. "
According to the announcement, the director of the Academic Advisory Committee of China Institute of History is Dai Yi, director of the National Compilation Committee of Qing History and a first-class post professor at Renmin University of China.
According to public information, Dai Yi, male, born in September, 1926, is a native of Changshu, Jiangsu Province. His academic expertise is the modern history of China and the history of Qing Dynasty, and his representative works include Modern History of China. At present, Dai Yi is honorary director of the Institute of Qing History of China Renmin University, librarian of central research institute of culture and history, and curator of Beijing Literature and History Research Museum.
Dai Yi was admitted to Shanghai Jiaotong University in 1944. Two years later, he dropped out and transferred to Peking University History Department, where he studied under Hu Shi, Zheng Tianting, Zhu Guangqian, Xu Deheng, Xiang Da and Deng Guangming. In 1948, under the arrangement of the Party organization, Dai Yi left Peking University for the Liberated Area, entered North China University in the Liberated Area, and then stayed there to teach, initially engaged in the study of China’s revolutionary history and modern history.
In 1955, Dai Yi was promoted to associate professor, served as the academic secretary of Wu Yuzhang, then president of China Renmin University, and later served as the editorial board of China History Series edited by Wu Han. During the Cultural Revolution, Dai Yi was shocked and sent to Jiangxi’s May 7th cadre school for labor reform, and returned to Beijing in 1972.
Dai Yi devoted his life to the compilation of Qing history. In 1978, with the approval of the Ministry of Education, the Qing History Research Institute was formally established on the basis of the former Qing History Research Group. Dai Yi was in charge of the practical work, and for the purpose of compiling the Qing history, the academic research and personnel training of the Qing history were carried out in an all-round way. In 2002, the compilation plan of Qing history was approved by the state, and Dai Yi, who was over 70 years old, once again went into battle and became the director of the editorial board.
According to official website of Renmin University of China, "In the past ten years, under the overall framework of compiling the history of the Qing Dynasty as the main body and sorting out the documents and archives of the Qing Dynasty as the two wings, not only the main project of the history of the Qing Dynasty has been carried out smoothly, but also billions of words of archives and documents have been sorted out, and efforts have been made to save these cultural relics."
The Academic Advisory Committee of China Institute of History also set up two deputy directors, namely Jin Chongji, an expert on the history of the Communist Party of China and the modern history of China, and Wang Wei, an archaeologist.
According to the official resume, Jin Chongji, male, born in December 1930, Shanghainese, former executive deputy director and researcher of the Central Committee of the Communist Party of China Literature Research Office, whose academic expertise is the history of the Communist Party of China and the modern history of China, and his representative works include The Outline of China in the Twentieth Century. Wang Wei, male, born in May, 1954, is an adult in Shandong Province. He is a member of the Chinese Academy of Social Sciences, director of the Department of History, and a researcher at the Institute of Archaeology, China Institute of History. His academic expertise is in the study of the origin of Chinese civilization, archaeology from prehistoric times to Xia, Shang and Zhou dynasties, and archaeological research on ancient cultural exchanges in East Asia. His representative works include "Seeing the evil Matai country and the Japanese regime from China".
The remaining 38 members of the Academic Advisory Committee of China Institute of History announced in the announcement are:
Pei yu, male, born in May 1944, is from Fushan, Shandong. Researcher, Institute of World History, China Institute of History. Academic expertise is historical theory and history of historiography. His representative works include The History of Marxist Historiography (Editor-in-Chief).
Ma Min, male, born in June 1955, is from Fushun, Sichuan. Director and Professor, China Institute of Modern History, Huazhong Normal University. Academic expertise is the economic and social history of China, the history of exposition and the history of cultural exchange between China and the West. His representative works include between officials and businessmen: modern gentry and businessmen in social upheaval.
Ma Dazheng, male, born in August 1938, is from Shanghai. Researcher, China Frontier Research Institute, China Institute of History. His academic expertise is the history of China territory. His representative works include A Brief History of China’s Frontier (Editor-in-Chief) and so on.
Wang Xianming, male, born in February 1957, is from Changzhi, Shanxi. Professor, School of History, Nankai University. Academic expertise is the modern history and social history of China. His representative works include squire in the changing times-squire and the change of rural social structure (1901-1945) and so on.
Deng Xiaonan, female, born in June 1950, is from Linyi, Shandong. Professor, History Department, Peking University. Academic expertise is the history of Song Dynasty and the history of bureaucracy. Representative works include "The Law of Ancestors-A Brief Introduction to Politics in the Early Northern Song Dynasty" and so on.
Shi Jinbo, male, born in March 1940, is from Gaobeidian, Hebei. Member of Chinese Academy of Social Sciences, director of Xixia Cultural Research Center of China Academy of Social Sciences, and researcher of Institute of Ethnology and Anthropology of China Academy of Social Sciences. His academic expertise is China’s ethnic history, Xixia literature and history, and China’s ancient ethnic literature. His representative works include Research on Xixia Economic Documents, etc.
Feng Shi, male, born in October 1958, is from Beijing. Member of Chinese Academy of Social Sciences, researcher of Archaeology Institute of China Institute of History. Academic expertise is ancient philology, astronomy and archaeology, pre-Qin history, historical philology, and the history of ancient thought. His representative works include Astronomy and Archaeology in China.
Liu Beicheng, male, born in August 1949, is from Beijing. Professor, History Department, Tsinghua University. Academic expertise is modern world history, western thought history and historical theory. Representative works include "Portrait of Foucault’s Thought" and so on.
Liu Qingzhu, male, born in August 1943, is from Nanle, Henan. Member of Chinese Academy of Social Sciences, researcher of Archaeology Institute of China Institute of History. His academic expertise includes archaeology of ancient capitals in China, archaeology of ancient imperial tombs and archaeology of Han and Tang Dynasties. Representative works include "The Ancient Capital Asked" and so on.
Li Jie, male, born in November 1954, is from Kunming, Yunnan. Researcher, Development Research Institute, Yunnan University. Academic expertise is historical theory. His representative works include Research on Early Marxist Historical Thought.
Li Jie, male, born in February 1955, is from Pingyin, Shandong. Former president and researcher of Qiushi magazine. His academic expertise includes the history of the Communist Party of China, the history of People’s Republic of China (PRC), Mao Zedong’s life and thoughts, Socialism with Chinese characteristics’s theoretical system and the China of Marxism. His representative works include Mao Zedong’s Historical Contribution to New China.
Li Boqian, male, born in February 1937, is from Zhengzhou, Henan. Professor, Peking University Institute of Archaeology and Culture. Academic expertise is archaeology in China. His representative works include The Origin of Civilization and Collection of Three Generations of Archaeology.
Yang Gongle, male, born in April 1962, is from Zhuji, Zhejiang. Dean and Professor, School of History, Beijing Normal University. Academic expertise is the comparison of Chinese and foreign ancient history, ancient Roman history, etc. His representative works include A Probe into the Early Silk Road and so on.
Yang Guozhen, male, born in March 1940, is from Longyan, Fujian. Professor, History Department, Xiamen University. Academic expertise is social and economic history and marine history of China. His representative works include Research on Land Contract Documents in Ming and Qing Dynasties.
Wu Enyuan, male, born in April 1948, is from Chongqing. Researcher, Russian Institute of Eastern Europe and Central Asia, China Academy of Social Sciences. Academic expertise is world history, Russian history and the history of international communist movement. His representative works include The History of the Soviet Union.
He Yimin, male, was born in June 1953 in Chengdu, Sichuan. Professor, School of History and Culture, Sichuan University. His academic expertise includes China city history, China modern history and regional cultural history. His representative works include General History of China City.
Sha Jiansun, male, born in February 1934, is from Yixing, Jiangsu. Former deputy director and professor of the Party History Research Office of the CPC Central Committee. His academic expertise is the history of the Communist Party of China and the modern history of China. His representative works include The Historical Road of China in the Twentieth Century —— Comments on Some Social Thoughts, etc.
Zhang Shujun, male, born in October 1957, is from Laiwu, Shandong. Former member (deputy minister level) and researcher of the Central Committee of the Communist Party of China Institute of Party History and Literature. Academic expertise is the history of the Communist Party of China. His representative works include The Great Turning Point-A Record of the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China.
Zhang Haipeng, male, born in May 1939, is from Hanchuan, Hubei. Member of Chinese Academy of Social Sciences, researcher of Institute of Modern History, China Institute of History. Academic expertise is the modern history of China. His representative works include A Concise Reader of Modern History of China (co-author).
Chen Qingying, male, born in October 1941, is from Taishan, Guangdong. Researcher, China Tibetology Research Center. Academic expertise is Tibetan history books. His representative works include Eight Sibas, the Imperial Teacher of Yuan Dynasty, etc.
Chen Zuwu, male, born in October 1943, is from Guiyang, Guizhou. Member of the Chinese Academy of Social Sciences, researcher of the Institute of Ancient History, China Institute of History. Academic expertise is the ancient academic history of China. His representative works include History of Learning Cases in China.
Chen Jin, male, born in October 1958, is from Jianyang, Sichuan. Former member (deputy minister level) and researcher of the Central Committee of the Communist Party of China Institute of Party History and Literature. His academic expertise is Mao Zedong and the history of the CPC. His representative works include Mao Zedong’s Cultural Character and so on.
Chen Qianping, male, born in February 1955, is from Yangzhou, Jiangsu. Chairman and Professor, Academic Committee, Research Center for the History of the Republic of China, Nanjing University. Academic expertise is the history of the Republic of China. Representative works include "Negotiations between China, Britain and Xizang before and after the Anti-Japanese War (1935-1947)" and so on.
Miao Pusheng, male, born in November 1948, is from chiping, Shandong. Researcher, Academy of Social Sciences, Xinjiang Uygur Autonomous Region. Academic expertise is national history and local history of Xinjiang. Representative works include Outline of Xinjiang History (co-editor) and so on.
Lin Wenxun, male, born in March 1966, is from Qujing, Yunnan. Party secretary and professor of Yunnan University. Academic expertise includes Chinese economic history, China rural social history and Chinese frontier studies. His representative works include Outline of Social Change in Tang and Song Dynasties.
Zhou Weizhou, male, born in February 1940, Kaiping, Guangdong. Professor, China Western Frontier Research Institute, Shaanxi Normal University. His academic expertise is the national history of China. His representative works include "A Study of Ethnic Relations in the Middle Northwest of China" and so on.
Zheng Shiqu, male, born in August 1946, is from Fuzhou, Fujian. Professor, School of History, Beijing Normal University. Academic expertise is China’s modern history, modern ideological and cultural history. His representative works include "A Study on the Cultural Thought of the quintessence School in the Late Qing Dynasty" and so on.
Hu Dekun, male, born in March 1946, is from Suizhou, Hubei. Chairman, chief expert and professor of China Institute of Border and Ocean Studies, Wuhan University. Academic expertise is the history of World War II, the history of borders and oceans. His representative works include China and World Studies during the World Anti-Fascist War (Editor-in-Chief).
Hou Jianxin, male, born in Tianjin in October 1950. Deputy Director of Academic Committee of Tianjin Normal University, Dean and Professor of European Civilization Research Institute. Academic expertise is world history. His representative works include Western Europe and China in the Period of Social Transformation.
Geng Yunzhi, male, born in December 1938, is from Haicheng, Liaoning. Member of Chinese Academy of Social Sciences, researcher of Institute of Modern History, China Institute of History. His academic expertise is in the history of modern thought, culture and politics in China. His representative works include Introduction to the Study of Cultural Transformation in Modern China: Cultural Transformation and so on.
Xu Lan, female, born in November 1947, is from Beijing. Director and Professor, Center for International Relations Studies, School of History, Capital Normal University. Academic expertise is world history, modern world history and the history of international relations. His representative works include Britain and the Sino-Japanese War (1931-1941).
Gao Xing, male, born in February 1962, is from Kuandian Manchu Autonomous County, Liaoning Province. Director and researcher of Zhoukoudian International Paleoanthropology Research Center of China Academy of Sciences, and director of Paleolithic Professional Committee of China Archaeological Society. Academic expertise is prehistoric archaeology, human origin and evolution. His representative works include Shuidonggou: Archaeological Excavation and Research Report from 2003 to 2007, etc.
Ge Jianxiong, male, born in December 1945, is from Shaoxing, Zhejiang. Professor, China Institute of Historical Geography, Fudan University. Academic expertise is historical geography, population history, immigration history and cultural history. His representative works include History of Chinese Immigrants (editor-in-chief, author of the first and second volumes).
Jiao Nanfeng, male, born in January 1954, is from Yijun, Shaanxi. Researcher, Shaanxi Institute of Archaeology. His academic expertise is archaeology in Qin and Han Dynasties and the study of the ancient mausoleum system in China. His representative works include The Mausoleum of Emperor Han Jingdi and so on.
Xiong Yuezhi, male, born in December 1949, is from Huaiyin, Jiangsu. Researcher, Shanghai Academy of Social Sciences. Academic expertise is the modern history of China. His representative works include "The Spread of Western Learning to the East and the Society in the Late Qing Dynasty".
Wei Jian, male, born in December 1955, is from Hohhot, Inner Mongolia. Professor and Director of Northern Institute of Ethnic Archaeology, Renmin University of China. Academic expertise for the northern ethnic archaeology, Mongolian archaeology. His representative works include On the Capital of the Yuan Dynasty.
Wei Cuncheng, male, born in October 1945, is from Pingxiang, Hebei. Professor, School of Archaeology, Jilin University. His academic expertise is Koguryo’s archaeology and history in Bohai Sea, and archaeology in the Three Kingdoms, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties. His representative works include Archaeology of Bohai Sea.
Qu Lindong, male, born in December 1937, is from Feidong, Anhui. Professor, School of History, Beijing Normal University. Academic expertise is historical theory and the history of Chinese historiography. His representative works include Collected Works of Qu Lindong.

When everyone is avoiding embarrassment, the variety "Fifty Kilometers of Peach Blossom House" will"embarrassed"As his own signboard.
In the first season, the word-of-mouth was very unsatisfactory, and even the second season was released.


The program puts "embarrassment" on the table in a careless way, and presents all kinds of uncomfortable behaviors such as rubbing hands and scratching ears of guests in front of the audience.
Be proud of embarrassment and make embarrassment a selling point.The guests in front of the camera are in a dilemma, and I am in the throat outside the screen. What is this variety show playing?

Let’s take a look at the original intention of the program self-report:
"Explore the various faces of social life in contemporary society under the changes of different social distances, and write new answers to the beautiful social life."
What kind of presentation?
Invite 15 guests with different ages and personalities to get together and live together for 21 days. The 15 guests came from all walks of life, including actors, models, athletes, talk shows and piano players, as well as online celebrity and singers …

It’s more like a social experiment than a variety show.
The essence of variety shows is to entertain the public, but it is obviously difficult for this program with a "social experiment style" to be associated with "entertainment".
Why don’t you just find another way for the program group, and then create a topic with "embarrassment".This gives the audience a kind of pleasure like "watching the excitement", which can also be regarded as entertaining the public in a certain sense?
Because of the variety tone of entertaining the public, the program group must find ways to make the guests collide with sparks, instead of really leaving people in front of the camera like social experiments.

Chatting together, eating together, even sleeping together will be a big shop, which can be described in four words:There is nothing to hide.
In this way, the first impression of the program becomes chaos.
Fifteen people live in one room, which is extremely crowded objectively and quite messy subjectively. In a word, it makes people feel bad.
This is the audience’s point of view, and from the guest’s point of view, it is even more speechless.
Everyone is flocking to do anything. Just talking about washing dishes, it is clear that one or two people can solve the problem, but a group of people can be surrounded.

Don’t they know that they are actually embarrassed to stand there? Of course I know, but I can’t help it.
The camera is there, others are washing dishes, and it’s embarrassing to sit by yourself. Standing next to it is also a sense of participation, seeking a little comfort for the heart.
The embarrassment caused by too many guests is still secondary. The program regards embarrassment as the first color, so it is really uncomfortable to be ashamed and proud.
There is also a game in which two guests who are most embarrassed with each other dance a tango, and they can get contribution value.

What’s the use of contribution value? It’s about all their expenses here.
In other words, they must be embarrassed to dance a passionate tango with the most unfamiliar and "unsuitable" people in order to "live".
If you don’t jump, you won’t have food. Will you jump? Personality self-publicity, such as Eric Wang, has to be obedient.
Such hegemony is not only embarrassing, but also terrible.

In the first phase of the program, I always emphasize one thing:At present, everyone is unfamiliar.
The subtext is that the social embarrassment caused by strangeness will be alleviated in the next few issues.
Why is it so sure?
The program will bring 15 people together to live in groups, and the last thing is that everyone will blend in as in the poster.

I don’t care what your original personality is, and I don’t care whether you like socializing or whether you prefer being alone. All this is pushing you and forcing you to get rid of "social fear" and become a "social cow".
This is the biggest problem of the program "Fifty Kilometers of Peach Blossom House 2".
The social roles of the guests in the program can be completely ignored. For example, Silence Wang is no longer regarded as a singer, Eric Wang is no longer an actor, and Wu Muye is no longer a pianist. We just need to regard them as 15 amateurs with different personalities.
Among the 15 guests, the people who took the most shots and spoke the most were several Northeasters.


In many people’s inherent impression, most people in Northeast China are extroverted, familiar and sociable. They in the program, and indeed so. It can be said that the atmosphere of the whole program is supported by a few of them.
We envy the extroverted people who can talk with the stranger Kan Kan, and we like to watch them chat with each other.
On the other hand, should introverts and inarticulate people be discriminated against?
Some people like to socialize, while others prefer to be alone.
Some people tend to fight side by side with their teammates, while others prefer to fight alone.
Some people enjoy singing in front of everyone, while others prefer to whisper silently in the middle of the night when no one is around.
······
The world is wonderful because there are all kinds of people.

But "Fifty Kilometers of Peach Blossom House 2" doesn’t seem to allow the latter to exist. At the beginning of the program, the tune is "good social life".
Is social life necessarily beautiful? Small groups of three or two people are still fighting in secret, and a large group of 15 people must be like family? What kind of fairy collective is that?
Especially at the end of the program, Song Dandan asked everyone to save a bonfire party, and everyone would come out to perform their talents.
If the whole program is like a "group building" organized by the company, then the party proposed by Song Dandan is undoubtedly an "annual meeting" of the company. Older elders with high status have made demands. Even if the younger generation is reluctant, are they really embarrassed to say it? The purpose of socializing is actually communication, but the differences in ideas between generations and the different status in the circle will undoubtedly make communication very difficult. Song Dandan certainly meant well, but when her proposal was heard by young people, it became a source of embarrassment.



To tell the truth, such a performance party is not even as good as the annual meeting of the company. At least you can win an award at the annual meeting, but in the program, you get nothing.
The way Song Dandan lets everyone put on the show looks like a child being dragged out by his parents to perform in front of his relatives.
The extroverted child has a calm face, and the introverted child can’t wait to get into the crack.


Originally, they only had different personalities, but the latter was denied and scolded by adults, and was defined as "worthless". "Fifty Kilometers of Peach Blossom House 2" gives people the feeling that it is so absurd.
Cecilia Boey’s discomfort:

Jesuli Chen’s embarrassment:

Wu Muye at a loss:

Eric Wang’s resistance:




······
Some people are naturally unsociable. Is it wrong?
The program group even regards "solitude" as a punishment, and the person with the lowest contribution will be "exiled" to live alone on the island for one night.


After the first program was broadcast, Song Dandan became the target of public criticism. The audience thought that she was leaning on the old and selling the old, forcing everyone to hold a party and give a program, and supporting Eric Wang, thinking that he was right and cool.
It can be seen that everyone is surprisingly disgusted with this kind of social binding.
The perspective can be expanded. Isn’t the whole Fifty Kilometers Peach Blossom Noon 2 a Song Dandan?
Forcing 15 people to live a beautiful group life together, those who don’t "fit in" will be exiled, and the punishment is "one night alone". I really can’t laugh at this magic.
Looking back, it is really disgraceful to watch the program group clip out the embarrassment of social phobia and present it on the screen as a gimmick for the audience’s entertainment.

The pictures in this article are from the Internet. If there is any infringement, please contact and delete.
Finally, back to the initial question, what is this variety show broadcasting, or what is the point of view?
Is it an embarrassing moment of social fear? Or the peace and love of 15 people from strangers to family?
It takes 21 days to try to reverse the character formed by their 20 or 30 years’ experience, which is probably the only joke in Fifty Kilometers of Peach Blossom House 2.
Ha ha ha ha, I smiled, you are free.


Recently, in the construction site of the maintenance project of Jiazhuang Village section of the provincial highway Niangyang line, milling machines, sweepers and other machinery are carrying out operations such as road milling and drainage ditch protection, laying a good foundation for subsequent construction. This is a microcosm of speeding up the implementation of national and provincial trunk highway maintenance projects and continuously creating a safe and smooth traffic environment in our city.
As an important part of the comprehensive transportation system, national and provincial trunk highways play a fundamental and leading role in promoting economic and social development and improving people’s livelihood. In recent years, our city has continued to promote the construction of people’s livelihood transportation, aiming at creating a "smooth, comfortable and beautiful" highway traffic environment, vigorously implementing domestic national and provincial trunk highway maintenance projects, constantly improving highway traffic capacity and comprehensive service level, and providing strong highway support for the city’s economic development.
With the increase of the service life of national and provincial highways and the increasing number of large transit vehicles in our city, the existing pavement has been damaged to varying degrees, and the preventive maintenance of pavement is imminent. As a provincial key project newly started in our city this year, the road maintenance project of Shuiyu-Majiapo section of provincial highway Niangyang line has a total length of 25.2 kilometers and a total investment of 160 million yuan. The starting point of the project is Shuiyu Village, Jucheng Town, Pingding County, which is connected with the first-class highway around the city of National Highway 207 and 307 in our city, and the end point is Majiapo in the suburbs, which is connected with National Highway 307. The highway runs through Pingding county, suburbs and mining areas, and is an important part of the "four verticals, five horizontals and two cycles" national and provincial trunk highway network in our city during the 14 th Five-Year Plan period.
Wei Jinfeng is the project manager of pavement maintenance project in Shuiyu-Majiapo section of Niangyang line of Shanxi Luqiao Provincial Highway. When he came to the construction site, he and the engineers and technicians kept an eye on the construction quality and progress. Wei Jinfeng introduced that since the project started, the project department has always adhered to the principle of "taking quality as the core, taking safety as the premise and taking progress as the goal" and comprehensively and orderly promoted all work. Because the construction section is long, involving many factories and mines in villages and enterprises, in order to ensure the normal production and life of villagers and enterprises, the project department takes control measures such as handling permits to advance the construction progress in an orderly manner on the premise of ensuring safety.
During the construction, the construction party shall carry out functional and structural repairs on this section, control local pavement diseases synchronously, build a new central guardrail, improve the electromechanical facilities of the tunnel and drainage facilities along the line, etc., involving the asphalt pavement structure of the section, drainage, culverts, tunnels, traffic safety facilities and other construction projects along the line. According to the first-class highway design standards, the subgrade width is 23 meters and the design speed is 60 kilometers per hour.
Guan Bo, deputy director of the Maintenance Engineering Construction and Management Department of Yangquan Highway Branch, said that this section and the first-class highway around Yangquan City on National Highway 207 and 307 jointly form the first-class highway around Yangquan City, which is the central axis and connecting line in the two cycles of north and south, which is of great significance for widening the urban framework and promoting the development of towns along and around it. All construction personnel will scientifically optimize the construction period, reasonably organize the construction, and advance the construction progress at full speed.
At present, many national and provincial trunk highway maintenance projects in our city have started construction one after another, with large investment, long route and many spanning areas. Faced with the grim situation of tight time and heavy tasks, Yangquan Highway Sub-bureau planned, arranged and started early, scientifically decomposed tasks around the overall goal of progress, grasped key working procedures and ensured key parts, formulated targeted construction plans, accelerated the construction progress and ensured the project was completed on schedule on the premise of ensuring quality and safety.
Guan Bo said that after the completion of the project, it will further extend the service life of the national and provincial trunk highways in our city, ensure driving safety and help the high-quality economic development. (Feng Mengqi, Zhang Yaoguang)