These provincial roads in our city have new names!

Recently, the Provincial Department of Transportation issued a notice to clarify the abbreviations of 43 ordinary provincial routes, 12 of which involve Lishui.

Let’s take a look at it together.

S209 (Fenghua-Qingyuan) is called "Fengqing Line" for short.

S209 starts in Fenghua, Ningbo and ends in Qingyuan, Lishui, passing through Ningbo, Shaoxing, Jinhua and Lishui. Among them, Lishui has a mileage of 372.13 kilometers, which starts at the junction of Jinyun and Jinhua Pan ‘an, and ends at the junction of Qingyuan and Fujian Shouning, passing through Jinyun, Liandu, Songyang, Longquan and Qingyuan.

S210 (Xianju-Jingning) is called "Xianjing Line" for short.

S210 starts in Xianju, Taizhou, and ends in Jingning, Lishui, passing through Taizhou and Lishui. Among them, the mileage in Lishui is 205.78 kilometers, starting from the junction of Jinyun and Taizhou Xianju, and ending in Jingning, Lishui, passing through Jinyun, Liandu, Yunhe and Jingning.

S211 (Tongxiang-Dongtou) is called "Tongdong Line" for short.

S211 starts in Tongxiang, Jiaxing and ends in Dongtou, Wenzhou, passing through Jiaxing, Hangzhou, Shaoxing, Jinhua, Lishui and Wenzhou. Among them, the mileage in Lishui is 78.53 kilometers, starting at the junction of Jinyun and Jinhua Yongkang, and finally at the junction of Jinyun and Wenzhou Yongjia.

S215 (Lanxi-Longquan) is called "Lanlong Line" for short.

S215 starts from Jinhua Lanxi and ends at Lishui Longquan, passing through Jinhua and Lishui. Among them, the mileage in Lishui is 147.1 kilometers, starting from the junction of Suichang and Jinhua Wucheng, and finally ending in Lishui Longquan, passing through Suichang and Longquan.

S218 (Anji-Longgang) is called "Anlong Line" for short.

S218 starts in Anji, Huzhou and ends in Longgang, Wenzhou, passing through Huzhou, Hangzhou, Jinhua, Lishui and Wenzhou. Among them, the mileage in Lishui is 137.23 kilometers, starting from the junction of Jinyun and Jinhua Yongkang and ending in Qingtian, Lishui, passing through Jinyun and Qingtian.

S219 (Lin ‘an-Cangnan) is called "Lincang Line" for short.

S219 starts in Lin ‘an, Hangzhou and ends in Cangnan, Wenzhou, passing through Huzhou, Jinhua, Lishui and Wenzhou. Among them, the mileage in Lishui is 103.16 kilometers, starting from the junction of Liandu and Jinhua Wuyi, and ending in Beishan Town of Qingtian, passing through Liandu, Jingning and Qingtian.

S220 (Qingtian-Taishun) is called "Qingtai Line" for short.

S220 starts in Qingtian, Lishui, and ends in Taishun, Wenzhou, passing through Lishui and Wenzhou. Among them, Lishui has a mileage of 7.2 kilometers, starting from Tangyang Township in Qingtian and ending at the junction of Qingtian and Wenzhou Wencheng.

S311 (Jiande-Suichang) is called "Jiansui Line" for short.

S311 starts in Jiande, Hangzhou and ends in Suichang, Lishui, passing through Hangzhou, Quzhou and Lishui. Among them, the mileage in Lishui is 26.66 kilometers, starting from the junction of Suichang and Qujiang in Quzhou and ending at Hushan Township in Suichang.

S321 (Jiaojiang-Wuyi) is called "Jiaowu Line" for short.

S321 starts in Jiaojiang, Taizhou, and ends in Wuyi, Jinhua, passing through Taizhou, Lishui and Jinhua. Among them, Lishui has a mileage of 32.81 kilometers, starting at the junction of Jinyun and Taizhou Xianju, and finally at the junction of Jinyun and Jinhua Yongkang.

S324 (Wenling-Changshan) is called "Wenchang Line" for short.

S324 starts in Wenling, Taizhou and ends in Changshan, Quzhou, passing through Taizhou, Wenzhou, Lishui and Quzhou. Among them, Lishui has a mileage of 231.51 kilometers, which starts at the junction of Qingtian and Yongjia in Wenzhou, and ends at the junction of Suichang and Jiangshan in Quzhou, passing Qingtian, Liandu, Songyang and Suichang.

S325 (Dongtou-Qingyuan) is called "Dongqing Line" for short.

S325 starts in Dongtou, Wenzhou, and ends in Qingyuan, Lishui, passing through Wenzhou and Lishui. Among them, the mileage in Lishui is 231.58 kilometers, starting from the junction of Qingtian and Wenzhou Lucheng, and finally reaching Qingyuan in Lishui, passing Qingtian, Jingning and Qingyuan.

S326 (Cangnan-Qingyuan) is called "Cangqing Line" for short.

S326 starts in Cangnan, Wenzhou, and ends in Qingyuan, Lishui, passing through Wenzhou and Lishui. Among them, Lishui has a mileage of 103.78 kilometers, starting at the junction of Qingyuan and Shouning, Fujian, and finally at the junction of Qingyuan and Songxi, Fujian.

Original title: "These provincial roads in our city have new names! 》

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What’s the key? What is a key?

The key is the activation code, which generally refers to the digital key of various network products. The key is used to verify and enable a function. Among the conventional activation codes, it is used for online game novice card encryption, online game internal test activation code and open network product invitation code. Universal digital key, the main concept, refers to the digital key of activation code, which has the characteristics of circulation, extensibility and initiative, and can be extended as an invitation code for various products or enterprise network publicity activities.

"Maizhuang" teamed up again, and Liu Qingyun’s "Clean Government" trailer poster was double-issued


1905 movie network news Corruption is happening, and clean government is in action! The most "different" movie of the 2019 Spring Festival file released the "Gold Medal Strike" trailer and the "Expectation" version of the poster today. Directed by Mak Zhaohui, supervised by Zhuang Wenqiang and Huang Bin, and starring Liu Qingyun, Zhang Jiahui, Lin Jiaxin, Fang Zhongxin, and Yuan Yongyi, the Spring Festival file anti-corruption giant system takes the core proposition of "anti-corruption and promoting integrity" as the theme of the film. The stars are even incarnated as "civil servants" to reveal the stories behind the huge corruption crimes.

Big coffee gathers to directly attack the fundamental problems behind corruption; all staff attack, striving to promote the "clean government" ethos; fight tigers with heavy punches, and carry out anti-corruption to the end. This Spring Festival is bound to raise the "wind and clouds" again!

 

The "Four-Word Maxim" Reveals the Roots of Corruption "Anti-Crime" Understanding Corruption Is Not So Easy


In the latest "Gold Medal Strike" trailer released by the movie "Clean Government", the picture opens with a smokescreen-filled courtroom. As the narration advances, the rhythm gradually becomes tense, and a few powerful lines seem to tell the audience about the fate of the characters. The "four-word maxim" of money, power, color and greed exposes the fundamental problems behind corruption. The "desire game" of huge amounts of money brings the story to a climax. The final picture ends with a sentence "Someone must die before the matter ends". The whole trailer shows a sense of nervous oppression, and conveys to the audience a sense of "anti-corruption has not been successful, comrades still need to work hard". Even if anti-corruption is difficult, we must not forget our original intention and move forward!

In the poster version of "Looking Forward" released simultaneously, Liu Qingyun, Zhang Jiahui, and Lin Jiaxin, the three leading actors, wear sunglasses. The sunglasses reflect the image representing the triple greed of "power, money, and desire", and the three sets of words next to the portrait point out the theme of "power, money, and desire", which correspond to the root causes of corruption exposed in the film.

As a film with the theme of "anti-crime" jointly created by Mai Zhaohui and Zhuang Wenqiang, "Integrity and Integrity" integrates the theme of "anti-corruption and promoting integrity" into an intriguing story. Whether it is the poster of the "eager to see" version or the trailer of the "gold medal strike" version, it conveys the theme that "corruption is the root of all cancers", and insisting on combating corruption is the embodiment of mainstream core values. When mapped into real life, every success of anti-corruption and the fall of senior officials are very gratifying, fully demonstrating that adhering to anti-corruption is the will of the people.

 

The "Peerless" team will fight the screen again, making every effort to create the most anticipated movie during the Spring Festival


"Unparalleled" on National Day made audiences realize that high-quality Hong Kong films can still be played well. "Integrity" is another hand-in-hand of the behind-the-scenes team of "Unparalleled". Director Mak Zhaohui, along with this time’s producers Zhuang Wenqiang and Huang Bin, are determined to bring audiences a "different" New Year’s work for the Spring Festival.

Known as the "quality assurance" of Hong Kong movies, Mai Zhuang Group has always been leading the way with "crime" movies. This time, "Clean Government", they have launched a new attempt to "anti-crime". With a new story, a new theme, and a new angle, they will make every effort to create the most anticipated work of this Spring Festival stall. In the Spring Festival stall where comedy gathers, this "Clean Government" full of righteousness and outstanding quality is particularly strange.



So far, more than ten movies have been bookedThe 2019 Spring Festival file can be described as "a hundred schools of thought contending". If you want to break through the siege among the strong, you will definitely be able to stand the test of the audience. In this regard, the creators of "Clean Government" have expressed their full confidence in it.Liu Qingyun said:"In the past, the Spring Festival was a comedy, but this time, we hope to be different. A new year, a new atmosphere, and clean government are very important to society."


Zhang JiahuiHe added:""Clean Government" isA very dramatic drama,canGive the audience one more choice during the Spring Festival and watch a serious movie"No wonder some netizens said," We shouldn’t let a good movie like’Clean Government ‘lose during the Spring Festival. In addition to entertainment, we also need positive energy! "

Emperor Film’s crime action blockbuster "Clean Government", directed by Mak Zhaohui, produced by Zhuang Wenqiang and Huang Bin, co-starring Liu Qingyun, Zhang Jiahui, Lin Jiaxin, Fang Zhongxin, Yuan Yongyi, Chen Jiale and Tang Yi, will be released on the first day of the new year, bringing the audience the only anti-corruption drama related to the interests of the people during the Spring Festival!


Why didn’t the editing of the trilogy "Feng Shen" work overtime? This matter is too important.


Special feature of 1905 film network "In the trilogy, I have never worked overtime, and my assistants have never worked overtime. Ensuring adequate sleep is very important for creators. Staying up late seems to be efficient, but it will actually lose more. "


On October 31st, Huang Shuo, editor of the trilogy Feng Shen, shared his experience of not working overtime during the editing of the trilogy Feng Shen at the 4th China Film Digital Production Industry Development Forum, a supporting activity of the 2023 China Golden Rooster and Hundred Flowers Film Festival, held in Xiamen. He also won the Best Editing Award in the 36th Chinese Film Golden Rooster Award.



Working overtime all night is the normal work of many film editors. Why can the trilogy "Feng Shen" not work overtime? Huang Shuo said that it is because of the "standardization of editing."


The theme of this forum is to focus on "Standardizing the Digital Film Production and Serving the Film Industry System". Taking the behind-the-scenes production norms of this year’s popular film and television works as the breakthrough point, we invite industry experts and senior practitioners to discuss the application and development of the digital film and television production industry norms, so as to jointly promote the standardization process of China’s digital film production industry and help build a strong film country.



From film to digital,

The Past and Future of China’s Film Technology


On the same day, the forum kicked off with five keynote speeches. Liu Xiaochun, a famous industry expert of Xiamen University and a senior engineer of the former Bayi Film Studio, first gave a speech entitled "From Film to Digital-Adherence and Inheritance of Film Industry Standards".


The technical standards of film industry refer to a series of norms and rules followed in the process of film production and screening, which reflect the development level and innovation ability of film technology. Liu Xiaochun said that China formulated a series of technical standards and specifications in the film era, but in the digital film era, it mainly exerted its strength at the application level, lacking more international discourse power at the technical level.


However, this situation is also changing. A few days ago, the International Organization for Standardization (ISO) officially approved the release of the film standard ISO 5926:2023 "Technical Requirements and Measurement Methods for Stereoscopic Projection of Digital Cinema" proposed and led by China. This is the first international film standard proposed by China, which not only fills the gap of international standards in the field of film technology in China, but also breaks the monopoly of foreign technical standards.


While the film industry embraces all kinds of new technologies and processes, how can we not forget the origin of the film? How to tell a good movie story with brand-new technical means and tools? Liu Xiaochun believes that this is a problem that film practitioners need to think about at present.


In his understanding, "the essence of film lies not in the media, but in the magic it creates." As the guardian of this art form, it is our responsibility to uphold its standards and pass on its rich heritage to future generations. Whether it is film or digital, let us continue to weave fascinating, inspiring and enduring stories. "



In 1928, the difficult film processing technology was used to create a visual spectacle. Nowadays, the upgrading of sci-fi movies such as series and the high-tech format represented by CINITY are leading the development of sci-fi movie industry in China. China’s film technology has experienced more than a hundred years of glory and vitality.


In his speech, the Deputy General Manager of China Film Digital Production Base summarized the road of independent innovation of film technology in China. In the new era, there are eight major achievements in China’s film science and technology innovation, including film digital production system and its application research and development, CINITY high-tech format film projection system, national film cloud production service platform, "China Film Shensi" artificial intelligence image processing system, film digital restoration and enhancement system, "China Film Fantasy" all-digital virtual shooting system, actor digital collection system and virtual shooting virtual production and cloud production.


Among them, there are many projects born in practice, such as CINITY LED film projection system with complete independent intellectual property rights, China Film recently completed China’s first Peking Opera film "Mrs. Anguo" with LED virtual shooting technology, the 8K dome film "Chasing China" permanently screened by communist party Historical Museum in China, and the VR panoramic film "High Precision Reproduction-Seeing the Beauty of the Times" as a gift for the 100th anniversary of the founding of the Party.



At the same time, the science and technology of China’s film industry has to face the dilemma of western technology monopoly, the industrial problems under the background of technical bottleneck and international competitiveness, the balance between technology and industry, the structural imbalance of talent demand, the problems of financing and investment, and the challenges formed by the emergence of artificial intelligence capabilities.


How to strengthen independence and promote innovation? Ma Ping suggested that we can start from many angles, such as strengthening the system construction of film standards, enhancing the R&D capability of core technologies, building China’s film science and technology industrial chain, promoting film innovation with technology empowerment, combining policy support with market drive, establishing and improving the talent mechanism of film science and technology, strengthening international cooperation, and strengthening intellectual property protection.


Virtual production, editing production, visual effect production

How to better serve movies?


From visual preview of storyboard, live real-time interactive preview based on blue/green screen to movie virtual production based on LED background wall, the forms of movie virtual production are constantly developing, the technology is rapidly iteratively upgraded, and the application is more extensive.


Zhao Jianjun, an associate professor in the Department of Film and Television Technology of Beijing Film Academy, expounded the influence of virtual production on the film digital industry in the new era in his speech from six aspects: studios and production bases, LED screen manufacturers, film and television equipment manufacturers, visual effects and engine enterprises, producers, universities and scientific research institutions.


By 2023, more than 500 LED virtual production studios have been established around the world. He pointed out that the display technology level and market share of LED background wall enterprises in China have taken the leading position in the world. Movies and TV series "Fox Demon Little Matchmaker" and "Cloud Feather" also show that the application of LED virtual production in China’s film and television industry is gradually maturing.


At present, virtual production promotes the intelligent and virtualized upgrading of the film and television industry — — Artificial intelligence, virtual digital and other technologies can better assist creation, save labor, and realize creativity more intelligently and efficiently; The boundary between reality and reality is broken, and the virtual and reality are further integrated from "making movies" to "making movies". For the future, Zhao Jianjun thinks that virtual production will be further strengthened in process innovation, industrial upgrading, personnel training and technological breakthrough.



In his speech, Huang Shuo, director of the China Film Editing Society and editor of the trilogy "Feng Shen", revealed that in his editing experience, he had encountered the situation that the sound department and the visual effect department got different versions after editing. The problem lies in the lack of standardized processes.


In his view, editing is the hub, as the starting point of the whole later work, which plays the role of connecting various departments. Standardized editing can reduce the communication cost within and between departments, reduce the probability of mistakes, be conducive to stability and unity, get off work on time and improve work efficiency.


So how to achieve standardization? Huang Shuo introduced the editing process of the film by taking the trilogy "Feng Shen" as an example.


"The editor’s life is also his life," Huang Shuo said. Editing needs a good working environment. Many editors in the group cut films in hotels, and the crew gave the editors a hard bench to work. The trilogy "Feng Shen" was specially equipped with a comfortable editing room for the editing department. The film was shot in two groups, A and B, each with two live editors and three editors in the back editing room. Everyone’s division of labor is very clear, and there will be no situation where one person has to do three jobs.


In specific editing, they have a professional technical manual, VFX Lineup with detailed data of each shot, and a modification form formed for each editing modification, which is convenient for visual effects, sound, music and other later departments to understand the editing adjustment and modification of the shot … Through a standardized operating system, the editing department and other departments can better cooperate with each other and realize the efficient operation of film production.



Jessica Yang Yuejuan, a senior visual effects producer and visual effects director, gave a speech entitled "How Visual Effects Serve Current Movies — — The shackles and expectations in the production process also mentioned that there are many irregular behaviors in many post-productions. For example, visual effects and editing have the problem of "cutting well but not producing well", so standardization is imperative.


"How can visual special effects create new heights in the industry with limited time and limited expenses on the premise of improving their own capabilities? This is not empty talk, not a lie, not a big talk. " As a visual effects producer of films such as The King of the Sky, Yang Yuejuan shared the communication, cooperation and production standards of visual effects with various departments in the early stage, shooting stage and later stage in the process of digital industrialization of China movies.



"Such a complicated process and so many steps need standards", so Yang Yuejuan puts forward professional suggestions such as visual effect grading specification, visual effect production description specification, field data collection specification, output and naming specification, pre-adjustment process, color space test, file submission specification, large file naming specification, channel naming specification, visual effect file quality inspection, file handover specification, file transmission and copy safety specification, so as to make the creator pay attention to the creation itself.


Strengthen the standard of digital film production in China,

Is the impact of AIGC big?


In the second half of the forum, a round-table seminar was held, presided over by Zhang Yange, secretary-general of the Film Digital Production Working Committee of the Chinese Film Association. Relevant persons in industry and academia expressed their opinions on the current situation and expectations of China’s film digital production norms, the value and significance of China’s film digital production norms to personnel training, and the influence of AIGC (Generative Artificial Intelligence) on film digital production norms, and made full exchanges and suggestions.


The national first-class director and the president of the Film Digital Production Working Committee of the Chinese Film Association recalled that in the film era, story board had to be written before the film was started. In the past, there was a booklet on production norms in the film studio, which was dubbed "the film constitution" by the industry. Nowadays, from film to digital film era, it is also necessary to establish a standard system.



Ma Ping said that China’s film digital production standards are entering the 1.0 era, and the industry should be alert not to leave the system being established behind, and should lay a solid foundation for 1.0 before embracing the 2.0 era. Huang Xiaoyu, director of the laboratory of the high-format film department of Huaxia Film Distribution Co., Ltd., believes that the 1.0 era is a stage for each department to explore and form the production norms within the department. The key word of the 2.0 era is "cohesion", and the production norms of each department should be opened and connected in series, and the 3.0 era will further move toward "landing".


This year, "China Film Digital Production Standard" was officially released. As the first normative reference book in the industry, it includes editing, virtual production, cloud production, visual effects, sound, color matching, DIT, mastering and other process technologies, sorting out the problems of process standards that have not kept pace with the times in the industry for many years, and providing operation guides and workbooks for many jobs in film digital production, which is well recognized by the industry.


Liu Fan, a researcher at the Film and Television Department of the Chinese Academy of Art, suggested that when the industry realizes the importance of standardization, it should continue to promote the standardization of film digital production, for example, a standardized white paper can also be launched in the filming process. The cultivation of digital production talents is also crucial, and the digital production norms need to be vigorously promoted to film and television colleges and universities. Yu Kangchun, a professor at Shanghai Film Academy, suggested that training camps and alliance organizations could be held under the concept of "integrating production with learning".



The rapid rise of AIGC is also a hot topic in the current scientific and technological development. How much impact will it have on the film digital production standards? Many industry participants said that they would always pay attention to the impact of AIGC on the industry, but they would also embrace the development of new technologies.


In terms of production efficiency, for example, the speed of the split-mirror diagram produced by AIGC is faster than that of the split-mirror, but compared with manual work, how to calculate the charging method? Do you want to reduce costs and increase efficiency? This requires the industry to continue to discuss. In the eyes of most guests, although AICG can improve the working efficiency of some aspects of film digital production at present, it still does not have the creative wisdom and productivity of human beings and still depends on film artists.


No matter how the film technology will develop in an unimaginable trend, as Liu Xiaochun said in his speech, "the integration of technology and the demand for novel experience will determine the exact trajectory of film technology. However, one thing is certain: the future of the film will be as groundbreaking as its legendary past. "


The Academic Advisory Committee of China Institute of History was established, with Dai Yi, an expert in Qing history, as the director.

The China Institute of History of China Academy of Social Sciences, which was officially unveiled in January this year, has now set up an academic advisory committee, and 41 committee members from the national history circle have officially made public appearances.

In the 19th edition of People’s Daily published on September 24th, it was announced that "according to the establishment plan approved by the central authorities, the China Institute of History selected 41 experts and scholars from the national history circle to set up an academic advisory committee. Members of the Academic Advisory Committee of China Institute of History are now announced. "

According to the announcement, the director of the Academic Advisory Committee of China Institute of History is Dai Yi, director of the National Compilation Committee of Qing History and a first-class post professor at Renmin University of China.

According to public information, Dai Yi, male, born in September, 1926, is a native of Changshu, Jiangsu Province. His academic expertise is the modern history of China and the history of Qing Dynasty, and his representative works include Modern History of China. At present, Dai Yi is honorary director of the Institute of Qing History of China Renmin University, librarian of central research institute of culture and history, and curator of Beijing Literature and History Research Museum.

Dai Yi was admitted to Shanghai Jiaotong University in 1944. Two years later, he dropped out and transferred to Peking University History Department, where he studied under Hu Shi, Zheng Tianting, Zhu Guangqian, Xu Deheng, Xiang Da and Deng Guangming. In 1948, under the arrangement of the Party organization, Dai Yi left Peking University for the Liberated Area, entered North China University in the Liberated Area, and then stayed there to teach, initially engaged in the study of China’s revolutionary history and modern history.

In 1955, Dai Yi was promoted to associate professor, served as the academic secretary of Wu Yuzhang, then president of China Renmin University, and later served as the editorial board of China History Series edited by Wu Han. During the Cultural Revolution, Dai Yi was shocked and sent to Jiangxi’s May 7th cadre school for labor reform, and returned to Beijing in 1972.

Dai Yi devoted his life to the compilation of Qing history. In 1978, with the approval of the Ministry of Education, the Qing History Research Institute was formally established on the basis of the former Qing History Research Group. Dai Yi was in charge of the practical work, and for the purpose of compiling the Qing history, the academic research and personnel training of the Qing history were carried out in an all-round way. In 2002, the compilation plan of Qing history was approved by the state, and Dai Yi, who was over 70 years old, once again went into battle and became the director of the editorial board.

According to official website of Renmin University of China, "In the past ten years, under the overall framework of compiling the history of the Qing Dynasty as the main body and sorting out the documents and archives of the Qing Dynasty as the two wings, not only the main project of the history of the Qing Dynasty has been carried out smoothly, but also billions of words of archives and documents have been sorted out, and efforts have been made to save these cultural relics."

The Academic Advisory Committee of China Institute of History also set up two deputy directors, namely Jin Chongji, an expert on the history of the Communist Party of China and the modern history of China, and Wang Wei, an archaeologist.

According to the official resume, Jin Chongji, male, born in December 1930, Shanghainese, former executive deputy director and researcher of the Central Committee of the Communist Party of China Literature Research Office, whose academic expertise is the history of the Communist Party of China and the modern history of China, and his representative works include The Outline of China in the Twentieth Century. Wang Wei, male, born in May, 1954, is an adult in Shandong Province. He is a member of the Chinese Academy of Social Sciences, director of the Department of History, and a researcher at the Institute of Archaeology, China Institute of History. His academic expertise is in the study of the origin of Chinese civilization, archaeology from prehistoric times to Xia, Shang and Zhou dynasties, and archaeological research on ancient cultural exchanges in East Asia. His representative works include "Seeing the evil Matai country and the Japanese regime from China".

The remaining 38 members of the Academic Advisory Committee of China Institute of History announced in the announcement are:

Pei yu, male, born in May 1944, is from Fushan, Shandong. Researcher, Institute of World History, China Institute of History. Academic expertise is historical theory and history of historiography. His representative works include The History of Marxist Historiography (Editor-in-Chief).

Ma Min, male, born in June 1955, is from Fushun, Sichuan. Director and Professor, China Institute of Modern History, Huazhong Normal University. Academic expertise is the economic and social history of China, the history of exposition and the history of cultural exchange between China and the West. His representative works include between officials and businessmen: modern gentry and businessmen in social upheaval.

Ma Dazheng, male, born in August 1938, is from Shanghai. Researcher, China Frontier Research Institute, China Institute of History. His academic expertise is the history of China territory. His representative works include A Brief History of China’s Frontier (Editor-in-Chief) and so on.

Wang Xianming, male, born in February 1957, is from Changzhi, Shanxi. Professor, School of History, Nankai University. Academic expertise is the modern history and social history of China. His representative works include squire in the changing times-squire and the change of rural social structure (1901-1945) and so on.

Deng Xiaonan, female, born in June 1950, is from Linyi, Shandong. Professor, History Department, Peking University. Academic expertise is the history of Song Dynasty and the history of bureaucracy. Representative works include "The Law of Ancestors-A Brief Introduction to Politics in the Early Northern Song Dynasty" and so on.

Shi Jinbo, male, born in March 1940, is from Gaobeidian, Hebei. Member of Chinese Academy of Social Sciences, director of Xixia Cultural Research Center of China Academy of Social Sciences, and researcher of Institute of Ethnology and Anthropology of China Academy of Social Sciences. His academic expertise is China’s ethnic history, Xixia literature and history, and China’s ancient ethnic literature. His representative works include Research on Xixia Economic Documents, etc.

Feng Shi, male, born in October 1958, is from Beijing. Member of Chinese Academy of Social Sciences, researcher of Archaeology Institute of China Institute of History. Academic expertise is ancient philology, astronomy and archaeology, pre-Qin history, historical philology, and the history of ancient thought. His representative works include Astronomy and Archaeology in China.

Liu Beicheng, male, born in August 1949, is from Beijing. Professor, History Department, Tsinghua University. Academic expertise is modern world history, western thought history and historical theory. Representative works include "Portrait of Foucault’s Thought" and so on.

Liu Qingzhu, male, born in August 1943, is from Nanle, Henan. Member of Chinese Academy of Social Sciences, researcher of Archaeology Institute of China Institute of History. His academic expertise includes archaeology of ancient capitals in China, archaeology of ancient imperial tombs and archaeology of Han and Tang Dynasties. Representative works include "The Ancient Capital Asked" and so on.

Li Jie, male, born in November 1954, is from Kunming, Yunnan. Researcher, Development Research Institute, Yunnan University. Academic expertise is historical theory. His representative works include Research on Early Marxist Historical Thought.

Li Jie, male, born in February 1955, is from Pingyin, Shandong. Former president and researcher of Qiushi magazine. His academic expertise includes the history of the Communist Party of China, the history of People’s Republic of China (PRC), Mao Zedong’s life and thoughts, Socialism with Chinese characteristics’s theoretical system and the China of Marxism. His representative works include Mao Zedong’s Historical Contribution to New China.

Li Boqian, male, born in February 1937, is from Zhengzhou, Henan. Professor, Peking University Institute of Archaeology and Culture. Academic expertise is archaeology in China. His representative works include The Origin of Civilization and Collection of Three Generations of Archaeology.

Yang Gongle, male, born in April 1962, is from Zhuji, Zhejiang. Dean and Professor, School of History, Beijing Normal University. Academic expertise is the comparison of Chinese and foreign ancient history, ancient Roman history, etc. His representative works include A Probe into the Early Silk Road and so on.

Yang Guozhen, male, born in March 1940, is from Longyan, Fujian. Professor, History Department, Xiamen University. Academic expertise is social and economic history and marine history of China. His representative works include Research on Land Contract Documents in Ming and Qing Dynasties.

Wu Enyuan, male, born in April 1948, is from Chongqing. Researcher, Russian Institute of Eastern Europe and Central Asia, China Academy of Social Sciences. Academic expertise is world history, Russian history and the history of international communist movement. His representative works include The History of the Soviet Union.

He Yimin, male, was born in June 1953 in Chengdu, Sichuan. Professor, School of History and Culture, Sichuan University. His academic expertise includes China city history, China modern history and regional cultural history. His representative works include General History of China City.

Sha Jiansun, male, born in February 1934, is from Yixing, Jiangsu. Former deputy director and professor of the Party History Research Office of the CPC Central Committee. His academic expertise is the history of the Communist Party of China and the modern history of China. His representative works include The Historical Road of China in the Twentieth Century —— Comments on Some Social Thoughts, etc.

Zhang Shujun, male, born in October 1957, is from Laiwu, Shandong. Former member (deputy minister level) and researcher of the Central Committee of the Communist Party of China Institute of Party History and Literature. Academic expertise is the history of the Communist Party of China. His representative works include The Great Turning Point-A Record of the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China.

Zhang Haipeng, male, born in May 1939, is from Hanchuan, Hubei. Member of Chinese Academy of Social Sciences, researcher of Institute of Modern History, China Institute of History. Academic expertise is the modern history of China. His representative works include A Concise Reader of Modern History of China (co-author).

Chen Qingying, male, born in October 1941, is from Taishan, Guangdong. Researcher, China Tibetology Research Center. Academic expertise is Tibetan history books. His representative works include Eight Sibas, the Imperial Teacher of Yuan Dynasty, etc.

Chen Zuwu, male, born in October 1943, is from Guiyang, Guizhou. Member of the Chinese Academy of Social Sciences, researcher of the Institute of Ancient History, China Institute of History. Academic expertise is the ancient academic history of China. His representative works include History of Learning Cases in China.

Chen Jin, male, born in October 1958, is from Jianyang, Sichuan. Former member (deputy minister level) and researcher of the Central Committee of the Communist Party of China Institute of Party History and Literature. His academic expertise is Mao Zedong and the history of the CPC. His representative works include Mao Zedong’s Cultural Character and so on.

Chen Qianping, male, born in February 1955, is from Yangzhou, Jiangsu. Chairman and Professor, Academic Committee, Research Center for the History of the Republic of China, Nanjing University. Academic expertise is the history of the Republic of China. Representative works include "Negotiations between China, Britain and Xizang before and after the Anti-Japanese War (1935-1947)" and so on.

Miao Pusheng, male, born in November 1948, is from chiping, Shandong. Researcher, Academy of Social Sciences, Xinjiang Uygur Autonomous Region. Academic expertise is national history and local history of Xinjiang. Representative works include Outline of Xinjiang History (co-editor) and so on.

Lin Wenxun, male, born in March 1966, is from Qujing, Yunnan. Party secretary and professor of Yunnan University. Academic expertise includes Chinese economic history, China rural social history and Chinese frontier studies. His representative works include Outline of Social Change in Tang and Song Dynasties.

Zhou Weizhou, male, born in February 1940, Kaiping, Guangdong. Professor, China Western Frontier Research Institute, Shaanxi Normal University. His academic expertise is the national history of China. His representative works include "A Study of Ethnic Relations in the Middle Northwest of China" and so on.

Zheng Shiqu, male, born in August 1946, is from Fuzhou, Fujian. Professor, School of History, Beijing Normal University. Academic expertise is China’s modern history, modern ideological and cultural history. His representative works include "A Study on the Cultural Thought of the quintessence School in the Late Qing Dynasty" and so on.

Hu Dekun, male, born in March 1946, is from Suizhou, Hubei. Chairman, chief expert and professor of China Institute of Border and Ocean Studies, Wuhan University. Academic expertise is the history of World War II, the history of borders and oceans. His representative works include China and World Studies during the World Anti-Fascist War (Editor-in-Chief).

Hou Jianxin, male, born in Tianjin in October 1950. Deputy Director of Academic Committee of Tianjin Normal University, Dean and Professor of European Civilization Research Institute. Academic expertise is world history. His representative works include Western Europe and China in the Period of Social Transformation.

Geng Yunzhi, male, born in December 1938, is from Haicheng, Liaoning. Member of Chinese Academy of Social Sciences, researcher of Institute of Modern History, China Institute of History. His academic expertise is in the history of modern thought, culture and politics in China. His representative works include Introduction to the Study of Cultural Transformation in Modern China: Cultural Transformation and so on.

Xu Lan, female, born in November 1947, is from Beijing. Director and Professor, Center for International Relations Studies, School of History, Capital Normal University. Academic expertise is world history, modern world history and the history of international relations. His representative works include Britain and the Sino-Japanese War (1931-1941).

Gao Xing, male, born in February 1962, is from Kuandian Manchu Autonomous County, Liaoning Province. Director and researcher of Zhoukoudian International Paleoanthropology Research Center of China Academy of Sciences, and director of Paleolithic Professional Committee of China Archaeological Society. Academic expertise is prehistoric archaeology, human origin and evolution. His representative works include Shuidonggou: Archaeological Excavation and Research Report from 2003 to 2007, etc.

Ge Jianxiong, male, born in December 1945, is from Shaoxing, Zhejiang. Professor, China Institute of Historical Geography, Fudan University. Academic expertise is historical geography, population history, immigration history and cultural history. His representative works include History of Chinese Immigrants (editor-in-chief, author of the first and second volumes).

Jiao Nanfeng, male, born in January 1954, is from Yijun, Shaanxi. Researcher, Shaanxi Institute of Archaeology. His academic expertise is archaeology in Qin and Han Dynasties and the study of the ancient mausoleum system in China. His representative works include The Mausoleum of Emperor Han Jingdi and so on.

Xiong Yuezhi, male, born in December 1949, is from Huaiyin, Jiangsu. Researcher, Shanghai Academy of Social Sciences. Academic expertise is the modern history of China. His representative works include "The Spread of Western Learning to the East and the Society in the Late Qing Dynasty".

Wei Jian, male, born in December 1955, is from Hohhot, Inner Mongolia. Professor and Director of Northern Institute of Ethnic Archaeology, Renmin University of China. Academic expertise for the northern ethnic archaeology, Mongolian archaeology. His representative works include On the Capital of the Yuan Dynasty.

Wei Cuncheng, male, born in October 1945, is from Pingxiang, Hebei. Professor, School of Archaeology, Jilin University. His academic expertise is Koguryo’s archaeology and history in Bohai Sea, and archaeology in the Three Kingdoms, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties. His representative works include Archaeology of Bohai Sea.

Qu Lindong, male, born in December 1937, is from Feidong, Anhui. Professor, School of History, Beijing Normal University. Academic expertise is historical theory and the history of Chinese historiography. His representative works include Collected Works of Qu Lindong.

Sure enough, Song Dandan is so embarrassed that I can’t breathe again …

When everyone is avoiding embarrassment, the variety "Fifty Kilometers of Peach Blossom House" will"embarrassed"As his own signboard.

In the first season, the word-of-mouth was very unsatisfactory, and even the second season was released.

The program puts "embarrassment" on the table in a careless way, and presents all kinds of uncomfortable behaviors such as rubbing hands and scratching ears of guests in front of the audience.

Be proud of embarrassment and make embarrassment a selling point.The guests in front of the camera are in a dilemma, and I am in the throat outside the screen. What is this variety show playing?

Let’s take a look at the original intention of the program self-report:

"Explore the various faces of social life in contemporary society under the changes of different social distances, and write new answers to the beautiful social life."

What kind of presentation?

Invite 15 guests with different ages and personalities to get together and live together for 21 days. The 15 guests came from all walks of life, including actors, models, athletes, talk shows and piano players, as well as online celebrity and singers …

It’s more like a social experiment than a variety show.

The essence of variety shows is to entertain the public, but it is obviously difficult for this program with a "social experiment style" to be associated with "entertainment".

Why don’t you just find another way for the program group, and then create a topic with "embarrassment".This gives the audience a kind of pleasure like "watching the excitement", which can also be regarded as entertaining the public in a certain sense?

Because of the variety tone of entertaining the public, the program group must find ways to make the guests collide with sparks, instead of really leaving people in front of the camera like social experiments.

Chatting together, eating together, even sleeping together will be a big shop, which can be described in four words:There is nothing to hide.

In this way, the first impression of the program becomes chaos.

Fifteen people live in one room, which is extremely crowded objectively and quite messy subjectively. In a word, it makes people feel bad.

This is the audience’s point of view, and from the guest’s point of view, it is even more speechless.

Everyone is flocking to do anything. Just talking about washing dishes, it is clear that one or two people can solve the problem, but a group of people can be surrounded.

Don’t they know that they are actually embarrassed to stand there? Of course I know, but I can’t help it.

The camera is there, others are washing dishes, and it’s embarrassing to sit by yourself. Standing next to it is also a sense of participation, seeking a little comfort for the heart.

The embarrassment caused by too many guests is still secondary. The program regards embarrassment as the first color, so it is really uncomfortable to be ashamed and proud.

There is also a game in which two guests who are most embarrassed with each other dance a tango, and they can get contribution value.

What’s the use of contribution value? It’s about all their expenses here.

In other words, they must be embarrassed to dance a passionate tango with the most unfamiliar and "unsuitable" people in order to "live".

If you don’t jump, you won’t have food. Will you jump? Personality self-publicity, such as Eric Wang, has to be obedient.

Such hegemony is not only embarrassing, but also terrible.

In the first phase of the program, I always emphasize one thing:At present, everyone is unfamiliar.

The subtext is that the social embarrassment caused by strangeness will be alleviated in the next few issues.

Why is it so sure?

The program will bring 15 people together to live in groups, and the last thing is that everyone will blend in as in the poster.

I don’t care what your original personality is, and I don’t care whether you like socializing or whether you prefer being alone. All this is pushing you and forcing you to get rid of "social fear" and become a "social cow".

This is the biggest problem of the program "Fifty Kilometers of Peach Blossom House 2".

The social roles of the guests in the program can be completely ignored. For example, Silence Wang is no longer regarded as a singer, Eric Wang is no longer an actor, and Wu Muye is no longer a pianist. We just need to regard them as 15 amateurs with different personalities.

Among the 15 guests, the people who took the most shots and spoke the most were several Northeasters.

In many people’s inherent impression, most people in Northeast China are extroverted, familiar and sociable. They in the program, and indeed so. It can be said that the atmosphere of the whole program is supported by a few of them.

We envy the extroverted people who can talk with the stranger Kan Kan, and we like to watch them chat with each other.

On the other hand, should introverts and inarticulate people be discriminated against?

Some people like to socialize, while others prefer to be alone.

Some people tend to fight side by side with their teammates, while others prefer to fight alone.

Some people enjoy singing in front of everyone, while others prefer to whisper silently in the middle of the night when no one is around.

······

The world is wonderful because there are all kinds of people.

But "Fifty Kilometers of Peach Blossom House 2" doesn’t seem to allow the latter to exist. At the beginning of the program, the tune is "good social life".

Is social life necessarily beautiful? Small groups of three or two people are still fighting in secret, and a large group of 15 people must be like family? What kind of fairy collective is that?

Especially at the end of the program, Song Dandan asked everyone to save a bonfire party, and everyone would come out to perform their talents.

If the whole program is like a "group building" organized by the company, then the party proposed by Song Dandan is undoubtedly an "annual meeting" of the company. Older elders with high status have made demands. Even if the younger generation is reluctant, are they really embarrassed to say it? The purpose of socializing is actually communication, but the differences in ideas between generations and the different status in the circle will undoubtedly make communication very difficult. Song Dandan certainly meant well, but when her proposal was heard by young people, it became a source of embarrassment.

To tell the truth, such a performance party is not even as good as the annual meeting of the company. At least you can win an award at the annual meeting, but in the program, you get nothing.

The way Song Dandan lets everyone put on the show looks like a child being dragged out by his parents to perform in front of his relatives.

The extroverted child has a calm face, and the introverted child can’t wait to get into the crack.

Originally, they only had different personalities, but the latter was denied and scolded by adults, and was defined as "worthless". "Fifty Kilometers of Peach Blossom House 2" gives people the feeling that it is so absurd.

Cecilia Boey’s discomfort:

Jesuli Chen’s embarrassment:

Wu Muye at a loss:

Eric Wang’s resistance:

······

Some people are naturally unsociable. Is it wrong?

The program group even regards "solitude" as a punishment, and the person with the lowest contribution will be "exiled" to live alone on the island for one night.

After the first program was broadcast, Song Dandan became the target of public criticism. The audience thought that she was leaning on the old and selling the old, forcing everyone to hold a party and give a program, and supporting Eric Wang, thinking that he was right and cool.

It can be seen that everyone is surprisingly disgusted with this kind of social binding.

The perspective can be expanded. Isn’t the whole Fifty Kilometers Peach Blossom Noon 2 a Song Dandan?

Forcing 15 people to live a beautiful group life together, those who don’t "fit in" will be exiled, and the punishment is "one night alone". I really can’t laugh at this magic.

Looking back, it is really disgraceful to watch the program group clip out the embarrassment of social phobia and present it on the screen as a gimmick for the audience’s entertainment.

The pictures in this article are from the Internet. If there is any infringement, please contact and delete.

Finally, back to the initial question, what is this variety show broadcasting, or what is the point of view?

Is it an embarrassing moment of social fear? Or the peace and love of 15 people from strangers to family?

It takes 21 days to try to reverse the character formed by their 20 or 30 years’ experience, which is probably the only joke in Fifty Kilometers of Peach Blossom House 2.

Ha ha ha ha, I smiled, you are free.

Speeding up the implementation of national and provincial trunk highway maintenance in our city

  Recently, in the construction site of the maintenance project of Jiazhuang Village section of the provincial highway Niangyang line, milling machines, sweepers and other machinery are carrying out operations such as road milling and drainage ditch protection, laying a good foundation for subsequent construction. This is a microcosm of speeding up the implementation of national and provincial trunk highway maintenance projects and continuously creating a safe and smooth traffic environment in our city.

  As an important part of the comprehensive transportation system, national and provincial trunk highways play a fundamental and leading role in promoting economic and social development and improving people’s livelihood. In recent years, our city has continued to promote the construction of people’s livelihood transportation, aiming at creating a "smooth, comfortable and beautiful" highway traffic environment, vigorously implementing domestic national and provincial trunk highway maintenance projects, constantly improving highway traffic capacity and comprehensive service level, and providing strong highway support for the city’s economic development.

  With the increase of the service life of national and provincial highways and the increasing number of large transit vehicles in our city, the existing pavement has been damaged to varying degrees, and the preventive maintenance of pavement is imminent. As a provincial key project newly started in our city this year, the road maintenance project of Shuiyu-Majiapo section of provincial highway Niangyang line has a total length of 25.2 kilometers and a total investment of 160 million yuan. The starting point of the project is Shuiyu Village, Jucheng Town, Pingding County, which is connected with the first-class highway around the city of National Highway 207 and 307 in our city, and the end point is Majiapo in the suburbs, which is connected with National Highway 307. The highway runs through Pingding county, suburbs and mining areas, and is an important part of the "four verticals, five horizontals and two cycles" national and provincial trunk highway network in our city during the 14 th Five-Year Plan period.

  Wei Jinfeng is the project manager of pavement maintenance project in Shuiyu-Majiapo section of Niangyang line of Shanxi Luqiao Provincial Highway. When he came to the construction site, he and the engineers and technicians kept an eye on the construction quality and progress. Wei Jinfeng introduced that since the project started, the project department has always adhered to the principle of "taking quality as the core, taking safety as the premise and taking progress as the goal" and comprehensively and orderly promoted all work. Because the construction section is long, involving many factories and mines in villages and enterprises, in order to ensure the normal production and life of villagers and enterprises, the project department takes control measures such as handling permits to advance the construction progress in an orderly manner on the premise of ensuring safety.

  During the construction, the construction party shall carry out functional and structural repairs on this section, control local pavement diseases synchronously, build a new central guardrail, improve the electromechanical facilities of the tunnel and drainage facilities along the line, etc., involving the asphalt pavement structure of the section, drainage, culverts, tunnels, traffic safety facilities and other construction projects along the line. According to the first-class highway design standards, the subgrade width is 23 meters and the design speed is 60 kilometers per hour.

  Guan Bo, deputy director of the Maintenance Engineering Construction and Management Department of Yangquan Highway Branch, said that this section and the first-class highway around Yangquan City on National Highway 207 and 307 jointly form the first-class highway around Yangquan City, which is the central axis and connecting line in the two cycles of north and south, which is of great significance for widening the urban framework and promoting the development of towns along and around it. All construction personnel will scientifically optimize the construction period, reasonably organize the construction, and advance the construction progress at full speed.

  At present, many national and provincial trunk highway maintenance projects in our city have started construction one after another, with large investment, long route and many spanning areas. Faced with the grim situation of tight time and heavy tasks, Yangquan Highway Sub-bureau planned, arranged and started early, scientifically decomposed tasks around the overall goal of progress, grasped key working procedures and ensured key parts, formulated targeted construction plans, accelerated the construction progress and ensured the project was completed on schedule on the premise of ensuring quality and safety.

  Guan Bo said that after the completion of the project, it will further extend the service life of the national and provincial trunk highways in our city, ensure driving safety and help the high-quality economic development. (Feng Mengqi, Zhang Yaoguang)

Sichuan Luding M _ S 6.8 Earthquake: The investigation of earthquake damage has been promoted in an orderly manner.

Zhongxin. com, Chengdu, September 7 (Reporter Liu Zhongjun) The reporter learned from the Sichuan Earthquake Administration on the 7 th that the on-site earthquake damage investigation of the Luding M 6.8 earthquake in Ganzi Prefecture is under intense pressure, and the investigators have investigated 78 points (76 house intensity points and 2 disaster points).

  After the Luding 6.8 earthquake in Ganzi Prefecture, Sichuan Earthquake Administration sent 19 disasters, a casualty investigation team and a drone disaster investigation team, with a total of more than 80 staff members, to the earthquake area to carry out investigations. As of 21: 00 on September 6th, 78 sites have been investigated (76 sites of house intensity and 2 sites of ground disaster).

  At the same time, more than 40 people and 24 sets of seismic monitoring equipment were dispatched to carry out mobile monitoring. At present, the installation and erection of a mobile seismic station has been completed in Lengzhai Town Central Primary School, and the data has been successfully transmitted back. Leveling group 1 completes the leveling observation of Yeping site; The emergency leveling team completed the leveling survey of the cotton crab branch site; GNSS Group 1 completed the installation of H072 instrument in the regional station; Seismic group 2 and seismic group 3 are carrying out station erection; The flow magnetic group is also carrying out measurements.

  In addition, the investigators in the earthquake area also carried out earthquake knowledge publicity through various forms such as fixed points, mobility and accompanying disaster investigations, distributed more than 3,000 publicity materials and received more than 300 inquiries from the public.

  At present, investigators are going deep into the epicenter of the earthquake to carry out on-site earthquake damage investigation, and the on-site investigation work in the earthquake area is progressing in an all-out and orderly manner.

School begins! What should children put in their schoolbags on their first day of primary school?

  Business daily reporter

  Qin Jian

  It is getting closer and closer to the start of school. What stationery do freshmen need to prepare for admission? Yesterday, the teachers of Bashu Primary School prepared a detailed list of essential stationery to help the first-grade children better adapt to the new study life.

  1 pencil case

  ◆ Choose a pencil case for your child, please remember that "no gaudiness, simplicity is better". Those with fancy colors and pop-up functions will affect children’s concentration in class.

  ◆ The material can be made of plastic or cloth. First, it is light in weight. Second, the sound of falling in class will not be very loud.

  2 pencils

  ◆ Children who have just entered school are always a little forgetful, so it’s always right to prepare more pencils (5-10), cut them in advance and cover the caps.

  ◆ It is recommended to buy HB pencils, which are heavy in color and clear to write.

  3 rubber

  ◆ Rubber is also based on the principle of simplicity, and it should be carefully selected with fragrance. Cartoon-shaped erasers are not practical, so it’s better to choose drawing erasers and 4B erasers, which are easy and clean to wipe.

  4 ruler

  ◆ The length is preferably 10-15cm, which can adapt to most pencil cases.

  ◆ Simple and transparent models will do, and the style with straight edges and wavy lines is the most practical.

  5 watercolor pen

  ◆ It is recommended to buy a small suitcase with a brush for children, which is convenient, light and easy to carry.

  ◆ On each pen, you can put a sticker with your child’s name or unique pattern to prevent it from being lost.

  6 Bao Shu paper

  ◆ It is recommended to buy transparent Bao Shu paper, which is easy to operate and easy to use.

  ◆ Use the calendar at home or kraft paper to make Bao Shu green and environmentally friendly. The Bao Shu process allows children to participate together.

  7 art design supplies

  ◆ Art classes and daily paintings need to be cut and pasted, so some art supplies, such as safety scissors and oil pastels, should be prepared for children.

  ◆ It is best for children to use glue sticks, and they will not get glue everywhere. Scissors should be bought for children with round heads, and it is better to have a cover.

  8 pencil sharpener

  ◆ You can buy a regular pencil sharpener instead of an electric pencil sharpener or a crank.

  ◆ When parents teach their children to use a pencil sharpener, by the way, remind them to clean up the pencil scraps in time and be a hygienic pupil.

  9 pad board

  ◆ Prepare two plastic pads, A5 and A4 respectively, aiming at different specifications of exercise books and notebooks.

  schoolbag

  ◆ The most important thing is that the schoolbag is comfortable to carry. Take your child with you when you buy, and try it on your back. The specifications of schoolbags are based on the maximum book size.

  ◆ luggage case’s schoolbag is carefully chosen, and there are steps on the way to and from school, including school, so it is not easy to use.

Report card for the first anniversary of Beijing’s medical reform: 12 million primary patients increased.

What is the effect of medical reform for one year? On April 20, Beijing released the "medical reform report card": 210 million outpatient and emergency visits were completed, and 3.9 million discharged patients were treated in an orderly manner; There was a net increase of more than 12 million person-times in primary medical treatment; The average length of stay in tertiary hospitals decreased by 0.7 days … … "The overall situation is stable and orderly, with positive changes, in line with expectations and good response." Lei Haichao, Party Secretary and Director of the Municipal Health Planning Commission, gave comments.

Outpatient and emergency volume

Third-level hospitals reduced the number of primary hospitals increased.

Hierarchical pricing of medical service fees, differentiated medical insurance reimbursement policies and the construction of medical associations have greatly promoted graded diagnosis and treatment.

Over the past year since the reform, the number of outpatient and emergency consultations in tertiary hospitals has decreased by 11.9% compared with the previous year, while the number of outpatient and emergency consultations in secondary hospitals has remained basically the same. The cumulative number of outpatient and emergency consultations in primary hospitals and primary health care institutions has reached nearly 80 million, a net increase of more than 12 million over the previous year, with an increase of 16.1%. The number of consultations in some community health service institutions has increased by about 25% to 30%. Some common diseases have been gradually diverted to grass-roots institutions, which has reversed the situation that the amount of diagnosis and treatment at grass-roots level has declined or wandered for more than a decade, and the overcrowding of large hospitals has been alleviated.

The number of emergency visits by the deputy director and chief physician of the hospital decreased by 9.7% and 25.5% respectively, making it more rational for patients to choose experts to see doctors, alleviating the difficulty of seeing experts, and the limited resources of experts and famous doctors can better serve critically ill patients and prolong the communication time between doctors and patients.

While outpatients and emergency patients are diverted to grass-roots institutions, inpatient medical services are concentrated in tertiary hospitals. Over the past year since the reform, the number of discharges from tertiary hospitals has reached 3.2 million, an increase of 2.7%; The average length of stay was 8.6 days, a decrease of 0.7 days compared with the previous year, and the advantages of hospitalization service in tertiary hospitals were more obvious.

Medical expenses

Save more than 6 billion yuan a year.

The new compensation mechanism of medical institutions has begun to play an effective role. The old compensation mechanism that public medical institutions rely on drug income no longer exists.

The newly established medical service fee can replace the original registration fee, medical treatment fee and drug bonus income in the fourth week after the reform is initiated. When the total income of medical institutions is basically stable, the structure is optimized and the gold content is improved. Compared with before the reform, the disposable income of medical institutions is generally in a good trend, and the new compensation mechanism effectively supports the smooth operation of medical institutions.

Over the past year, the increase of medical expenses has declined. The city’s medical expenses only increased by about 5%, which is the lowest year since 2000. Medical institutions have saved more than 6 billion yuan in medical expenses. The total amount of drugs purchased in sunshine was 62.4 billion yuan, saving 5.51 billion yuan in drug expenses. Only one measure of drugs purchased in sunshine reduced the overall drug price by 8.8%. The proportion of drugs in secondary and tertiary hospitals in the city decreased by 9 percentage points.

Medical insurance assistance

Reduce personal burden by nearly 60 million yuan

The city will include all 435 medical services that meet the requirements in the scope of medical insurance reimbursement; Open up the difference in the scope of reimbursement of medical insurance drugs between community hospitals and large hospitals. Targeted implementation of the reform method of paying the hospitalization medical expenses of mental patients according to the fixed bed day, reducing the burden of special people, and the personal burden of urban and rural medical insurance patients is generally stable. Taking the basic medical insurance for urban workers as an example, as of April 7 this year, the medical insurance fund has increased its special expenditure by 2.28 billion yuan and reduced its personal burden by nearly 60 million yuan.

People in need have also received effective assistance. The proportion of outpatient assistance and hospitalization assistance for social assistance objects was adjusted from 70% to 80%, the annual ceiling line of outpatient assistance was adjusted from 4,000 yuan to 6,000 yuan, and the annual ceiling line of hospitalization assistance was adjusted from 40,000 yuan to 60,000 yuan; The proportion of major disease relief was adjusted from 75% to 85%, and the annual relief ceiling line was adjusted from 80,000 yuan to 120,000 yuan. The per capita burden of social assistance objects such as outpatient service, hospitalization and major disease assistance policies has been reduced by about 30%.

Medical institutions in this city have achieved results in improving medical services. Promote the appointment service to shorten the appointment time to less than one hour; Strengthen in-hospital hierarchical referral, and the number of well-known expert teams has reached 113.

The 261 community health service centers in the city implemented the service mode of "diagnosis first, settlement later", and reduced the medical service fee for the elderly over 60 by 26.65 million person-times. Patients with chronic diseases such as hypertension and diabetes can use 105 kinds of commonly used drugs in the community, and prescribe more than 40,000 "two-month long prescriptions" to save the cost of medical treatment for patients.

Hot spot response  

How do community hospitals attract patients?

Lei Haichao: To make the graded diagnosis and treatment system develop deeply and persistently, we must further improve the ability of grassroots services.

At present, the number of patients in community medical institutions is increasing. In the future, we will consider setting up certain rehabilitation and long-term nursing beds in community health service centers according to the needs of residents.

We also need to train more pediatric graduates. By 2020, each community health service center must have at least one doctor who can carry out diagnosis and treatment of common and frequently-occurring diseases in pediatrics.

How to break the shortage of drugs in the community?

Lei Haichao: At present, some patients report that some drugs cannot be prescribed in community health service institutions, mainly because the space of community health service institutions is limited. At the same time, it is necessary to further explore the characteristics of drug use for patients who are diverted from tertiary hospitals and secondary hospitals to the grassroots level and optimize drug allocation. At the same time, explore and promote the innovation of pharmacy management mode in community medical institutions.

Will the diseases with long prescriptions be expanded?

Lei Haichao: This year, the city will study increasing the number of long prescription diseases in community health service institutions and adjusting the long prescription drug list in a timely manner, so as to truly solve the demand for drugs and medical treatment at the grassroots level.

Check how to run less.

Lei Haichao: In the future, information technology will be used to improve the diagnosis and treatment capabilities of community primary medical and health service institutions. For example, we are considering establishing consultation or diagnosis centers for inspection, pathology, imaging and electrocardiogram. Through the Internet+medical technology, patients can complete the corresponding examination at the grassroots level, and then transmit the relevant information to the secondary and tertiary hospitals to complete the diagnosis, so as to ensure and improve the quality of patients’ treatment at the grassroots level in the community.

Progress in medical reform  

20% experts give priority to staying in the community.

Li Sufang, deputy director of the Municipal Development and Reform Commission, revealed that the next step will be to improve the quality of primary health care services, ensure that patients can see diseases in the community, get medicines, and be good gatekeepers of people’s health.

The city will continue to increase the training of primary medical service personnel, especially the training of general practitioners, introduce a number of talents in short supply, and enrich the front-line strength of primary medical service. Give full play to the role of medical associations hand in hand, and give priority to leaving 20% of the expert sources in large hospitals to community medical institutions as an important channel for making appointments for referral. In the future, the source of the secondary and tertiary hospitals in the medical association of this city will be open and inclined to the primary medical and health institutions, and the on-demand directional referral appointment will be realized in 2020. At the same time, encourage and guide doctors from large hospitals to visit the community, and improve the ability to guarantee primary drugs.

The city will continue to promote the adjustment of medical service prices. It will also improve the procurement mechanism of drugs and medical consumables, and further reduce the space of inflated prices of pharmaceutical consumables; Improve the supervision mechanism, promote the construction of the whole supervision mechanism of medical behavior, and promote the information disclosure of the price, average cost and drug use of pharmaceutical consumables in hospitals.

New things in medical reform  

Century altar hospital opens special clinic in community.

After the medical reform, the Millennium Hospital opened a special clinic in the community to attract a large number of patients. For example, the clinic for lumbago and leg pain at Fuxingmen Community Station, the clinic for constipation at Ronghui Clinic and Lianhuachi Community Station; Cough clinics of ganjiakou Community Health Service Center and Wanshou Road Community Health Service Center, the governing units of the Medical Association.

"The demand for these clinics is very high, and our hospital regularly sends experts to the grassroots every week." Xu Jianli, president of the Millennium Monument Hospital, revealed that the hospital also organized experts to go to the community to make house calls, make rounds, teach and give health talks in a number of primary medical institutions. According to statistics, last year, experts made a total of 1517 visits to the grassroots, 156 rounds and 286 consultations. "Residents have enjoyed the diagnosis and treatment services of tertiary hospital experts in the community, achieving a high level of medical continuity." Xu Jianli said.

Xuanwu hospital reduced unreasonable drug costs by 3.157 million yuan.

During the implementation of medical reform, in order to ensure the safety and benefits of patients’ medication, xuanwu hospital adopted a prescription review pre-system to expand the scope of prescription review. Over the past year, through prescription review and rational drug use monitoring, as well as the implementation of prescription/doctor’s advice pre-audit system, the unreasonable drug costs for patients have been reduced by 3.157 million yuan, the average outpatient drug costs have decreased by more than 20 yuan year-on-year, and the average drug costs for discharged patients have decreased by 25.19% year-on-year.

The proportion of drugs in the Third Hospital of Beijing Medical University decreased by 14.7% compared with the previous year.

Since the medical reform, the Third Hospital of Beijing Medical University has launched a series of measures to control the increase of medical expenses, drug expenses and sanitary materials expenses and reduce the burden of medical expenses for patients. For example, in drug management, the hospital set up a list of key monitoring drugs based on evidence-based, combined with the special management of antibacterial drugs, tumor treatment drugs and auxiliary drugs, and further reduced the proportion of drugs by guiding rational drug use. In 2017, the proportion of drugs in this hospital was 32.39%, which was 14.7% lower than the previous year.

Chaoyang hospital

Shooting in the community

The diagnosis is in the top three

During the medical reform, Chaoyang Hospital established the first remote imaging diagnosis center in this city. The patient "shoots" in the community hospital nearby, and the experts in the radiology department of Chaoyang Hospital will read the film remotely through the Internet and complete the diagnosis report in time. At present, the hospital’s remote imaging diagnosis center can issue radiation diagnosis reports for 7 community health service centers in Chaoyang District.